Although Nietzsche (and Dostoyevsky and Kafka in literature) has been called an
existentialist because of his rejection of systems and use of aphorisms as a style of
writing, it was Kierkegaard (1813-1888) who is considered to be the founder of this
philosophical and literary movement. Existentialism
focuses on the uniqueness of each individual as distinguished from abstract
universal human qualities. (Cambridge
255). In other words, existentialism rejects
the idea that there could be such a thing as a shared human nature or essence. To the existentialists, individuals were too
varied to find one categorization that would fit all.
The society that shaped Kierkegaard was both the high and the low ends. While Kierkegaard was young, his family was poor,
but his father later had great success and was able to leave his son financially
independent, enabling him to live the life of a writer.
The family was strict Lutheran, but at university, Kierkegaard switched from
theology to philosophy, and ended up writing in many forms throughout his life
philosophical, psychological and religious writings, fiction and literary criticism. For Kierkegaard, experience in life, like falling
in love, became a catalyst for authorship. It
was a public attack in a periodical that made him aware of suffering and the importance of
the authentic person being able to stand up to the crowd if necessary. (Hubben 11).
Kierkegaard is famous for his critique of systematic rational philosophy,
particularly Hegelism, on the grounds that actual life cannot be contained within an
abstract conceptual system. (Britannica
CD ROM). He explores existence
and describes it in human beings as an ongoing process. The passions that work on a
persons development are referred to as the persons inwardness, or
subjectivity. The self is moving through
phases in life, or three spheres of existence: the
aesthetic, the ethical and the religious. The
aesthetic is living for the moment, the immediate, and the person enjoys life
reflectively, that is, through the arts. But
the aesthetic person lacks commitment, or the ethical, which endeavors to shape a unified
self. The religious, Kierkegaard believed, is
achieved through transcendence towards true ideals.
Kierkegaard criticized Hegels absolute idealism, as we have said earlier,
because of Hegels claim to have found a single, overarching system. Kierkegaard thought reality and the thinker are in
process, and philosophy starts, not with skepticism, but with a sense of wonder and
meditation that is infinite.
Like
many philosophers of his time, Kierkegaard was of a divided personal belief. He adhered to
Christian faith but refused to attend church. He
was unwilling to put God, or ones relationship to God, within a philosophy, as Hegel
had been willing to do.
Existentialism
evolved through the 19th century and today we link it with Sartre (1905
1980) and of it being identified specifically with atheism.
Modern
existentialism was brought to public attention through Sartres literary novel, Nausea
and his philosophical work, Being and Nothingness.
He is known for his belief that human consciousness, or
no-thing-ness is opposite to being, or thing-ness. In Nausea, we see the start of his
philosophy that espouses freedom of the individual.
Sartres
father died at an early age and he grew up in the intellectual environment of his maternal
grandfather, a Sorbonne professor, and his uncle, Albert Schweitzer, the medical
missionary. He attended the best schools in
Paris and early on formed the long lasting partnership with the philosopher Simone de
Beauvoir. During his studies at
the Sorbonne, he benefited from contact with the talented student body of that time,
including Merleau-Ponty, Simone Weil and Claude Levi-Strauss.
One
of Sartres important beliefs was the concept of freedom and the accompanying sense
of personal responsibility. As a student of
Hegel, Marx and Heidegger, and especially due to his own poor health and having lived
through the war, he was sensitive to the stumbling blocks to human freedom, But he remained a Cartesian and believed that
human consciousness is distinct from the physical world.
One is never free from ones situation
though one is always
free to deny (negate) that situation and try and change it.
To be human, to be conscious, is to be free to imagine, free to choose, and
be responsible for ones lot in life. (Cambridge 710).
His
writings followed this freedom to imagine, and, as with Kant, how this ability
can direct all our experiences. He separated
the self and the consciousness, and said they are not the same; the former is affected by
the world and is an on-going process. In
his masterpiece, Being and Nothingness, he shows this division between self and
consciousness, and the denial of the self as merely self-consciousness. He defines two realms consciousness (being
for itself) and the existence of mere things (being in itself). The former is not a thing (no thing ness) but an
activity, and like Kant, warned against understanding consciousness as an object of
consciousness, much like the lens of a camera cannot see itself, or as Eisenberg asks, how
can the eye see itself seeing? (Eisenberg
15). Ultimately, it can only be aware of
itself.
It
is because of the nothingness of consciousness that we are able to imagine the
world in a way other than it is, and see ourselves in new ways. Sartre saw human freedom as necessary and
self-determining, and this freedom is achieved through choice.
Another
category for Sartre was being for others.
We are not entirely self-determining because we regard ourselves in the
mirror of other people. How they judge our
behavior becomes the way we define ourselves. Sartres
quote on this is famous, Hell is other people.
In
his later work, he developed this idea and struggled to discover a method to rise above
the conflict and insularity, the bourgeois consciousness, he had laid out in Being
and Nothingness . This project became
political for Sartre; he participated in revolutionary acts, sold left-wing literature and
turned down the Nobel prize for literature as a result.
As a thinker, novelist and dramatist, Sartre was in both worlds throughout
his career, art and philosophy. For him,
literature is philosophy engagé, and he believed in existential-political
action in the name of freedom.
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Picasso's Guernica |
Another acquaintance of Sartre, Albert Camus (1913 1960) also
pursued existentialism in his novels, The Stranger (LÉtranger) and The
Plague (La Peste). In these, the
anti-hero is motivated by authenticity, a freedom from social expectations of
a certain behavior in a certain situation and accompanied by a sense of personal
responsibility that is honest about not making it easy on oneself or lying as to get
oneself off the hook. Camus believed the
latter were typical responses of most human beings when they are faced with difficult
decisions. Camus, however, diverged from
Sartre in distinguishing existentialists like Kierkegaard from later absurdist thinkers
and writers. Camus compares the latter group
to Sisyphus in the myth, a mortal who is condemned to roll a boulder up a hill each day
only to have it roll down again. Kierkegaard
used the absurd to describe the incarnate God-object of his religion, but Camuss
existential absurdity focuses on the impossibility of matching reason to its object, the
upshot being that certainty can never be obtained. Kierkegaards
leap of faith is, for Camus, one more pseudo-solution for this hard, absurdist
reality. (Cambridge 711).
For Camus, being létranger, sometimes translated as the outsider, was one of
the forces that shaped his life. When he was
less than a year old, his French father died in World War I and his family moved out of
the Algerian countryside to the capital. His
Spanish mother worked as a charwoman to feed her family and Camus wrote of their biting
poverty. Fortunately, he had an excellent teacher who helped him earn a scholarship to the
lycée, and later to University of Algiers. He
read Gide and Malraux and joined the communist party.
As a journalist, he critiqued Sartres work. After World War II, his own writings made him the
spokesperson of his generation, and he portrayed the isolation of humans in an alien
universe and the inability of people to know themselves.
Simone de Beauvoir (1908-1986) was more of a pure existentialist. He efforts lay in the exploration of
existentialist ethics, which she believed were determined by a human freedom that
projected itself towards an ideal, open future. She
also criticized Camuss idea of authenticity and the spirit of gravity
that is characterized by people who identify only with specific human qualities, values,
essences or prejudices. (712). Her
masterpiece, The Second Sex, brought together two inspired ideas, one existential,
the other Hegelian, and put forth that one could choose between the path of immanence
(passive acceptance of the life one has been born into or socialized to become) or, the
path of transcendence of that presubcribed role. She
saw the necessity of challenging that role and imagining new paths with a view to
redesigning ones future. Echoing back
to Nietzsches ideas, de Beauvoir affirms that one is not made but is actively in the
process of becoming. In particular, she
encourages women to realize that society has historically consigned them to passive
acceptance of their roles, but now everyone should become aware of their options in life.
Existentialism today still provokes great debate among philosophers and writers. It appears difficult to reconcile two conflicting
elements: existentialisms central claim
that human beings live without justification, i.e., absurdly, in a world into which
we are thrown, condemned to assume full responsibility for our free actions and for the
values according to which we act, (712) and yet ethicists believe it is indeed human
nature or our human essence that motivates us to make the right choices in given
situations. (excerpt from Barber - "The Writer in Society")