"Performing Archives/Archives of Performance: On Helen Goodwin, Justine A. Chambers, and Evann Siebens," commissioned catalogue essay for Beginning with the Seventies: Radial Change, ed. Lorna Brown (Vancouver: Morris and Helen Belkin Art Gallery, forthcoming).

"The Films of Simone Rapisarda Casanova," forthcoming in Anthropologica 61.2 (2019).

"Narrative Pivots: On the Matter of Text and Movement in Crystal Pite's Dance-Theatre," in Narrative in Performance, eds. Barbara Sellers-Young and Jade McCutcheon (London: Palgrave), 241-282.

“The Curatorial Chronotope,” in Curating Live Arts: Global Perspectives, eds. Dena Davida, Jane Gabriels, Véronique Hudon and Marc Provonost (Berghan Books, 2019), 71-77.

“’Still (Mighty) Real’”: HIV/AIDS, Queer Public Memories, and the Intergenerational Drag Hail,” forthcoming in Viral Dramaturgies: HIV and AIDS in Performance in theTwenty-First Century, eds. Alyson Campbell and Dirk Gindt (London: Palgrave, 2018), 113-131.
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With CE Gatchalian, Kathleen Oliver, and Dalbir Singh, "Putting the Qs in Q2Q," in Q2Q: Queer Canadian Theatre and Performance, New Essays in Canadian Theatre, Volume 8, eds. Peter Dickinson, CE Gatchalian, Kathleen Oliver, and Dalbir Singh (Toronto: Playwrights Canada Press, 2018), 1-18.

With CE Gatchalian, Kathleen Oliver, and Dalbir Singh, "Introduction: Queer Works/Working Queer," in Q2Q: Queer Canadian Performance Texts, eds. Peter Dickinson, CE Gatchalian, Kathleen Oliver, and Dalbir Singh (Toronto: Playwrights Canada Press, 2018), v-xii.

"A Living Archive of Queer Performance, Practice and Politics: The Q2Q Conference," Canadian Theatre Review 171 (Summer 2017): 129-30.

“Choreographies of Place: Dancing the Vancouver Sublime from Dusk to Dawn,” in Performance Studies in Canada, eds. Laura Levin and Marlis Schweitzer (Montreal: McGill-Queen’s University Press, 2017), 90-114.
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With Hervé Guay, Laura Levin, Alvina Ruprecht and Alexandre Cadieux, “Theatre Criticism in Canada: A Roundtable,” Canadian Theatre Review 168 (Fall 2016): 54-62.

“Vancouverism and its Cultural Amenities: The View from Here,” Canadian Theatre Review 167 (Summer 2016): 40-47.
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With Kirsty Johnston and Keren Zaiontz, "Introduction: Mega-Event Cities: Art/Audiences/Aftermaths," PUBLIC 53 (Spring 2016): 4-10.

With Kirsty Johnston and Keren Zaiontz, "Vancouver after 2010: An Introduction," Canadian Theatre Review 164 (2015): 5-9.
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"Forward with The Road Forward: A Conversation with Marie Clements," Canadian Theatre Review 164 (2015): 36-43.
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“Elephants in the Room: An Introduction to Donna-Michelle St. Bernard’s Salome’s Clothes,” in Performing Back: Postcolonial Theatre, New Canadian Drama Series, ed. Dalbir Singh (Playwrights Canada Press, 2015), 71-75.

“Showing Support: Some Reflections on Vancouver’s Dance Economies,” Canadian Theatre Review 162 (2015): 10-15.
“Cédric Andrieux: With Bel, Benjamin, and Brecht in Vancouver,” TDR: The Drama Review 58.3 (T223) (2014): 162-169.
“PuShing Performance Brands in Vancouver,” Theatre Research in Canada 35.2 (2014): 130-150.
“Textual Matters: Making Narrative and Kinesthetic Sense of Crystal Pite’s Dance-Theatre,” Dance Research Journal 46.1 (2014): 61-83.
“Murdered and Missing Women: Performing Indigenous Cultural Memory in British Columbia and Beyond,” Theatre Survey 55.2 (2014): 202-232.
With Anne Higgins, Paul St. Pierre, Diana Solomon, and Sean Zwagerman, “Introduction: Dorothy Parker’s Headache,” in Women and Comedy: History, Theory, Practice, eds. Peter Dickinson, Anne Higgins, Paul St. Pierre, Diana Solomon, and Sean Zwagerman (Fairleigh Dickinson University Press, 2014), xvii-xxxvii.

“Try This at Home,” in Women and Comedy: History, Theory, Practice, eds. Peter Dickinson, Anne Higgins, Paul St. Pierre, Diana Solomon, and Sean Zwagerman (Fairleigh Dickinson University Press, 2014), 219-26.

“Counting Time in The Law of Enclosures,” in The Perils of Pedagogy: The Works of John Greyson, eds. Brenda Longfellow, Thomas Waugh, and Scott MacKenzie (McGill-Queen’s University Press, 2013), 450-61.

“Reading Canadian Film Credits: Adapting Institutions, Systems, and Affects,” in Double Takes: Intersections Between Canadian Literature and Film, ed. David Jarraway (Ottawa: University of Ottawa Press, 2013), 113-37.
“Bill Richardson,” in Canadian Literary Humorists, ed. Paul Matthew St. Pierre (Detroit: Gale, 2011), 214-21.

"Love is a Battlefield: The Performance and Politics of Same-Sex Marriage in North America," Text and Performance Quarterly 28.3 (2008): 277-97.
"Riding in Cars with Boys: Reconsidering Smooth Talk," Literature/Film Quarterly 36.3 (2008): 202-214.
"Being at home with Roy Dupuis and Pascale Bussières, or, Star-Gazing In and Out of Québec," CinéAction 73/74 (2008): 38-43.
"Double Take: Adaptation, Remediation, and Doubleness in the Films of Robert Lepage," in Great Canadian Film Directors, ed. George Melnyk (Edmonton: U of Alberta Press, 2007), 175-96.

"Subtitling CanLit: Keywords," in Trans.Can.Lit: Resituating the Study of Canadian Literature, eds. Smaro Kamboureli and Roy Miki (Waterloo: Wilfrid Laurier UP, 2007), 45-54.

"Ghosts In and Out of the Machine: Lesbian Citationality and Narrative Cinema," in Lesbian Voices: Theory, Literature, Cinema, ed. Subhash Chandra (New Delhi: Allied Publishers Ltd., 2006), 274-295.

"Going West: Queer Theatre in BC," in Theatre in British Columbia, ed. Ginny Ratsoy (Toronto: Playwrights Canada Press, 2006), 203-217.

"Travels with Tony Kushner and David Beckham, 2002-2004," Theatre Journal 57.3 (2005): 429-450.
"Oscar Wilde: Reading the Life after the Life," Biography 28.3 (2005): 414-432.
"Space, Time, Auteur-ity, and the Queer Male Body: The Film Adaptations of Robert Lepage," Screen 46.2 (2005): 133-153. Reprinted in Queer Screen: The Screen Reader, eds. Jackie Stacey and Sarah Street (London: Routledge, 2007), 183-207.
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"Cities and Classrooms, Bodies and Texts: Notes Towards a Resident Reading (and Teaching) of Vancouver Writing," in Downtown Canada: Writing Canadian Cities, eds. Justin Edwards and Douglas Ivison (U of Toronto P, 2005), 78-103.

"Brothers' Keepers, or, The Performance of Mourning: Queer Rituals of Remembrance," torquere 6 (2004): 12-46. Reprinted in Queer Theatre in Canada, ed. Rosalind Kerr (Toronto: Playwrights Canada Press, 2007), 134-59.
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"Duets, Duologues, and Black Diasporic Theatre: Djanet Sears, William Shakespeare, and Others," Modern Drama 45.2 (Summer 2002 [published 2003]): 188-208.Reprinted in Canadian Shakespeare, ed. Susan Knutson (Toronto: Playwrights Canada Press, 2010); and Canadian Adaptations of Shakespeare, an on-line scholarly database produced by the University of Guelph (www.canadianshakespeares.ca).
"Critically Queenie: The Lessons of Fortune and Men's Eyes," Canadian Journal of Film Studies 11.2 (2002): 19-43.