in The Routledge Handbook of Ecomedia Studies
in Film and TV Production in the Age of Climate Change
Short Film Studies 13:1 (2023)
An excerpt from The Fold: From Your Body to the Cosmos, forhcoming from Duke University Press
by Laura U. Marks and Radek Przedpełski, in Film and Television in the Age of Climate Crisis: Toward a Greener Screen, ed. Pietari Kääpä and Hunter Vaughan (Palgrave, 2022)
response to Jawa El Khash’s 3D media archive, Raqqa 2.0, forthcoming
In Made for the Eye of One Who Sees: Canadian Contributions to the Study of Islamic Art and Archaeology, ed. Marcus MIlwright and Evanthia Baboula. Summarizes my argument in Enfoldment and Infinity and tells how that book led to the Substantial Motion Research Network
by ICT engineer-media scholar team Stephen Makonin, Laura U. Marks, Radek Przedpełski, Ramy El Mallah, Alejandro Rodriguez-Silva
by Laura U. Marks and Radek Przedpełski, in Post-45, special issue on “New Filmic Geographies," ed. Suzanne Enzerink
Millennium Film Journal 71/72 (Spring/Fall 2020)
In Deleuze, Guattari and the Arts of Multiplicity, ed. Radek Przedpełski and S. E. Wilmer. Edinburgh University Press.
coda to The Oxford Handbook of Communist Visual Cultures, ed. Aga Skrodza, Kasia Marciniak, and Xiaoning Lu. Oxford University Press, 2020
Catalogue essay, Museum moderner Kunst Stiftung Ludwig Wien, 2020
Media + Environment, 2020
Gallery text for Ramin Haerizadeh, Rokni Haerizadeh, and Hesam Rahmanian, Schirn Kunsthalle Frankfurt, 2020
in Spectres of Fascism, ed. Samir Gandesha. Pluto Press, 2020
Journal of Visual Culture and Harun Farocki Institut special issue on Covid-19
Millennium Film Journal 70 (Fall 2019)
Qui Parle 27:2 (December 2018)
in The Anthem Handbook of Screen Theory, ed Hunter Vaughan and Tom Conley (2018)
International Journal of Communication, 11 (2017) 3899–3916
in Film-Philosophy special issue, "Film-Philosophy and a World of Cinemas," ed. David Martin-Jones (2016)
in Cine-Files special issue on affect, ed. Anne Rutherford (2016)
Workshop at DocsForum, DocsMX film festival, Mexico City, October 20, 2016
chapter 5 of Hanan al-Cinema: Affections for the Moving Image (2015)
interview with Dominique Chateau and José Moure, in Screens (Amsterdam University Press, 2016)
in Black Camera 6:2 (Spring 2015), special issue on John Akomfrah, ed. Matthias de Groof and Stephanie Symons
On haptic and optical visuality in Andalusian ceramics, in "Gazing Otherwise," special issue of Muqarnas edited by Olga Bush and Avinoam Shalem (2015)
Paragraph, special issue, “Screening Embodiment,” ed. Nicholas Chare and Liz Watkins (2015)
in Uncommon Grounds: New Media and Visual Practice in the Middle East and North Africa, ed. Anthony Downey (I.B. Tauris, 2014)
in The Oxford Handbook of Sound and Image in Digital Media, ed. Amy Herzog, John Richardson and Carol Vernallis (Oxford UP, 2014)
in Entautomatisierung [Deautomatization], ed. Annette Brauerhoch et al. (Paderborn, Germany: Wilhelm Fink, 2013)
talk at “The Secret Life of Plants,” IHUM, Princeton University, May 3, 2013
in Islam and the Politics of Culture in Europe, ed. Frank Peter, Sarah Dornhof, and Elena Arigita (Transcript-Verlag Press, 2013)
in Deleuze and Race, ed. Arun Saldhana and Jason Michael Adams (Edinburgh University Press, 2013)
Technology and Desire: The Transgressive Art of Moving Images, ed. Rania Gaafar and Martin Schulz (Karlsruhe: ZKM and London: Intellect Books, 2013), 151-161
Millennium Film Journal 55 (Spring 2012): 14-23
Catalogue essay, Spectral Imprints, ed. Nat Muller, Abraaj Capital Art Prize, 2012
in Animation 6:3, special issue on documentary (November 2011): 245-262.
Chapter One of Enfoldment and Infinity: An Islamic Genealogy of New Media Art (2010)
in Cinema at the Periphery, ed. Dina Iordanova, David Martin-Jones and Belén Vidal, 2010
in The Object Reader, ed. Fiona Candlin and Raiford Guins (New York: Routledge, 2009), 503-505.
An iteration of enfolding-unfolding aesthetics, published in Screen's 50th anniversary special issue, 2009.
in Place Studies in Art, Media, Science and Technology: Historical Investigations on the Sites and the Migration of Knowledge, ed. Andreas Broeckmann and Gunalan Nadarajan. VDG Weimar, 2008
On the humane atomism of Mohamed Soueid's Civil War trilogy. In Jump Cut, 2007.
In the age of hyper-mediation, how can we have our own
experience? In Fluid Screens/Expanded Cinema, ed. Susan Lord and Janine Marchessault. University of Toronto, 2006.
The new cinema of the desert is set on the asphalt: on Arab road movies. Published in Landscape and Film, ed. Martin Lefebvre. Routledge, 2006.
An interactive essay produced in collaboration with designer Raegan Kelly in Vectors: Journal of Culture and Technology in a Dynamic Vernacular, 2006.
On cultivating non-verbal intellectual work in the university. In Intermedialités, 2005.
introduction to special issue on programming, The Moving Image (Spring 2004)
For a special issue of Camera Obscura on women and video, a study of creativity and constraints in contemporary videomaking in Beirut. 2003.
in Lux: A Decade of Artist Film and Video, ed. Steve Reinke and Tom Taylor, 2000
in The End of Cinema as We Know It, ed. Jon Lewis, 2000
Testing C.S. Peirce's semiotics and Deleuze's cinematic philosophy on Lebanese experimental documentary. In The Brain Is the Screen: Gilles Deleuze's Cinematic Philosophy, ed. Gregory Flaxman (2000).
Millennium Film Journal, 34 (Autumn 1999)
Screen 39:4 (Winter 1998): 331-348.
in “Cinéma et mélancholie,” ed. Denise Pérusse and Denis Bellemare,.Cinémas (Fall 1997): 93-112.
in “Ethics,” ed. Roberto Bedoya, special issue of Framework, 1995
Screen 34:3 (Autumn 1994). 244-264.
Fuse 17:2 (1993)
Camera Obscura, 27 (1991): 55-75
