Simon Fraser University
Engaging the World

Sonic Research Studio

Sonic Research Studio / Publications

Research Publications

  • Droumeva, M., Copeland, S. and B. Ashleigh. (2022). What Does the 'Livable City' Sound Like? Public Communication on Sound, Noise, and Livability in Vancouver, Canada. Canadian Journal of Communication, 47(1).
  • Droumeva, M. (2021) The sound of the future: listening as data and the politics of soundscape assessment, Sound Studies Journal, Vol (7):2, 225-241, DOI: 10.1080/20551940.2020.1863121
  • Droumeva, M. (2019) Audible Efforts: Gender and Battle Cries in Classic Arcade Fighting Games. Media and Communication Journal, Special Issue, Ed. Nick Bowman. Cogitatio Press.
  • Droumeva, M. & I. McGregor (2019). Sound Stories: A context-based study of listening to augmented soundscapes. Interacting with Computers, Oxford University Press, 1-12. doi: 10.1093/iwc/iwz024
  • Droumeva, M. & Murphy, D. (2018) A Pedagogy of Listening: Writing with/in Media Texts, in Soundwriting Pedagogies, Eds. Courtney S. Danforth, Kyle D. Stedman, & Michael J.Faris. CCDigitalPress, Available at: http://ccdigitalpress.org/book/soundwriting/ 
  • Truax, B. 2017. “Acoustic Space, Community and Virtual Soundscapes,” in The Routledge Companion to Sounding Art, M. Cobussen, V. Meelberg and B. Truax (eds.), New York: Routledge.
  • Droumeva, M., Evans, K., Fertado, N., and R. Bangert (2017). It Gets Worse…The Female Voice in Videogames. First Person Scholar.http://www.firstpersonscholar.com/it-gets-worse/
  • Droumeva, M. (2017). The Coffee-office: urban soundscapes for creative productivity. BC Studies Journal, Soundscape section http://ojs.library.ubc.ca/index.php/bcstudies/article/view/189054
  • Jordan, R. (2017). Unsettling the Soundtrack: Acoustic Profiling and the Documentation of Community and Place. The Routledge Companion to Screen Music and Sound. Miguel Mera, Ron Sadoff, and Ben Winters, eds. New York: Routledge.
  • Droumeva, M. (2017). Soundmapping as Critical Cartography: Engaging Publics in Listening to the Environment. Special Issue of Communication and the Public. pp.1-17. DOI: https://doi.org/10.1177/2057047317719469
  • Truax, B. (2015).Paradigm Shifts and Electroacoustic Music: Some Personal Reflections, Organised Sound, 20(1), 105-110.
  • Andrisani, V. (2015). The Sweet Sounds of Havana: Space, Listening, and the Making of Sonic Citizenship. Retrieved from http://soundstudiesblog.com/2015/09/17/the-sweet-sounds-of-havana-space-listening-and-the-making-of-sonic-citizenship/ 
  • Jordan, R. (2014). “Oh What a Beautiful City”: Performing Transitional Vancouver in the CBUT’s City Song. Cinephile 10, no. 1 (Summer 2014): 33-38. PDF here.
  • Droumeva, M. (2015). Curating Everyday Life: Approaches to Documenting Everyday Soundscapes. M/C: Journal of Media and Culture, Vol 18(4). http://journal.media-culture.org.au/index.php/mcjournal/article/viewArticle/1009
  • Jordan, R. (Sept. 3, 2015). Unsettling the World Soundscape Project: The Bell Tower of False Creek, Vancouver. Sounding Out!  Open access here.
  • Jordan, R. (Winter/Spring 2014-15). Bell Tower of False Creek. Soundscape: The Journal of Acoustic Ecology 14(1): 16-20. PDF here.
  • Andrisani, V. (2012). The Soundscapes of Havana (El Paisaje Sonoro de la Habana). Catauro: Revista Cubana de Antropología, 14 (26), 107–118
  • Droumeva, M., Andrisani, V. & J. Schine (2010) Emerging Voices: Extending the Canadian Perspective. Soundscape: Journal for Acoustic Ecology, 8(1).
  • Droumeva, M. (2011) An Acoustic Communication Framework for Game Sound – Fidelity, Verisimilitude, Ecology. In Ed. Dr. Mark Grimshaw. Game Sound Technology and Player Interaction: Concepts and Developments, London, UK: IGI Publishing.
  • Andrisani, V. (2010). Relocating the Ear: A Cross-Cultural Exploration of the Electrified Soundscape. In Canadian Acoustics (Vol. 38 (3), pp. 102–103). Victoria, BC: Canadian Acoustical Association.
  • Järviluoma, H., M. Kytö, B. Truax, H. Uimonen & N. Vikman (Eds). (2009). Acoustic Environments in Change, Tampere: TAMK University of Applied Sciences. (includes a reprint of the World Soundscape Project’s Five Village Soundscapes, with a new introduction by Barry Truax)

 

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