A visual design initiative for the American Institute of Graphic Arts (AIGA) to establish the creative direction for their annual design conference.
I co-directed the art direction for the design exploration by conducting an in-depth colour and font analysis and applying through the various phases of this 4 week exploration.
Considering the posters were intended for the 2023 AIGA Annual Conference in New York City, our design strategy focused on using large-scale typography and high-contrast colors. This approach ensured our design would be prominent and eye-catching in the bustling city environment. I began by creating posters that adhered to the overall strategy, focusing more on the approach than on intentional colors and fonts.
The initial set of posters I created aligned with our design strategy, but was advised to push the typography scale further to amplify the letterforms. This feedback made me realize that having a solid font pairing was crucial for success in this exploration phase.
After conducting typographic research, I concluded that our main font should be a serif font, due to their high-level contrast and the use of thick and thin strokes in their letterforms. Given this reasoning we chose Reckless Neue. To complement the sharpness and curves, I chose TWK Everett Mono as the secondary font.
With the new fonts selected, I chose to work exclusively with black and white to concentrate on how the font pairing could be effectively laid out on the poster. With this, I ended up with my final poster and it shares a balance of hierarchy and type while enticing users to read the poster due to its asymmetrical look.
Although black and white provided good contrast, I wanted to explore various color palettes to see how the poster design could be elevated even more. I experimented with many color palettes—soft, bold, and pastel. However, none of them seemed to fully capture the essence I was aiming for.
I found inspiration in Anna Kulacheck, a graphic designer and art director known for her impactful use of color, typography, and shapes to craft compelling visual narratives. After exploring her work, I experimented with opposing colors on the color wheel to achieve the contrast I envisioned. I chose dark navy blue for the background to create a rich, less harsh contrast than white. Golden yellow became the accent color for its striking contrast with blue and ability to grab attention subtly. Lastly, I used off-white for the text to ensure clear readability and a balanced, sophisticated look.
I designed assets for AIGA, including street posters, online magazines, and event tickets, to test the adaptability and versatility of my design, experimenting with its seamless transition across different platforms.
Ultimately, this project highlighted the importance of iteration, feedback, and teamwork in the design process. It was a process of asking the right questions and immersing myself in the shoes of participants to understand how users might perceive our design. As my first experience leading an art direction, I developed project and time management skills and, most importantly, learned the critical role of communication in achieving milestones within tight deadlines.