Pres2
Home Up Log1 Pres2

 

GROUP FOUR

 

Cathy:   Introduction

I would like to introduce our group.  My name is Cathy and I will be doing the introduction, Heather will be doing the first half of the lesson, Keli will be doing the second half and Georgina will be winding up our lesson.

 

Our grade level is geared toward 2/3, however the lesson can be modified to   all elementary grades.  The lesson can also be adapted for ESL students and students with special needs (using pictures instead of writing out the word). 

 

We will be reading the folktale Little Red Riding Hood and using a Cloze activity.  A Cloze activity, simply put, is a fill in the blank activity (p.112, From Phonics to Fluency). 

 

Depending on what the teacher wants to teach he/she can use Cloze activities to fit the focus of the lesson.  For example if the teacher wants to develop “ing” words the students can be instructed only to make up words ending in “ing”, deleting prefixes and suffixes can also be used as another strategy in a Cloze activity. 

 

Today Heather will be reading “Little Red Riding Hood” (second time).  When she is finished we will be put into four different groups and asked to complete a Jigsaw activity integrating “feeling” words. 

 

Our focus and our rationale behind this unit is to strengthen vocabulary, fluency, and context.  Students need to ask themselves 1) Does the word in the cloze make sense? and 2) Does it look right?

 

The teacher can prepare for this lesson by using students prior knowledge, which works best for Cloze activities. Notice how Heather is reading our story for the second time and also notice her “hook” (red cape, little basket).  The students are already familiar with the story and now we can strengthen our vocabulary, the context (meaning) of the words, and how they connect to the story. (p.121 Reading and Writing in Elementary Classrooms, Fourth Ed.)

 

Most of all we want our students to have fun with the activity. 

 

Heather:  Reading with Little Red Riding Hood

 

The students will have already been read Little Red Riding Hood in a previous lesson.

 

Hook:

Bring basket and red hoodie to dress up as Little Red.

Activate the students’ prior knowledge by questioning:

Who do I look like today?
Where was Little Red going with the basket?
How did Little Red feel when she knew she was going to visit Granny?
How was Granny feeling that day?
Did Little Red go straight there like her mother had asked? Why/why not?
How did Little Red feel when she entered the forest?

 

Active reading activity

 

1.    Tell students that they will actively listening this time – acting out the characters personalities: Little Red, the wolf, grandma, and the woodcutter. “We are going to read the story again and this time you are going to be a part of it!”

 

2.     Teach the character’s actions (these can be made up by the class or follow the suggestions below) – practice and check for understanding

a.     Little Red – e.g. smiles and makes dimples

b.    The wolf – e.g. brings up claws and bares teeth

c.     Grandma - e.g. make spectacles and big blinking eyes

d.    The woodsman – e.g. strongman muscles

“Show me what to do when you hear ‘Little Red’…”

 

3.     Assign the characters – either chunk the class into groups where they are (e.g. those on the far left of the room are Little Red, those on the far right are The wolf…) OR number the students from 1-4 (#1 being LR, #4 being the wolf…) OR have the class do it as a whole.

 

4.     Read the story to the class, gently pausing/emphasising where the students should be doing their action.

 

Pass on to Keli who will continue with the cloze activity…

 

 Keli:   Little Red Riding Hood Cloze Activity

 

“Second Half of the Lesson”

During: Reading Formats and Comprehension Strategies

After: Following Up On the Purpose

 

Jigsaw Activity (For a super speedy group of grade Twos/ Threes)

 

1)     Distribute chunk 1, 2, 3, 4 of “Little Red Riding Hood” Cloze activity to students. This should make 4 groups of 5 members for our class. Pre- arrange groups so that they consist of all learning levels.     2 mins

 

2)     Students individually read through their chunk of text once. Students re-read the chunk, this time filling in a feeling word that they think fits and is interesting.                                                                         5 mins

 

3)     Students go to their expert groups located under their sign indicating the group on coloured construction paper.

 

-Round Robin each student’s replacement words and explanation of them.                                                                       5 mins

 

4)     Groups decide on one set of replacement words between all members to share with the class. Students should be prepared to tell why they chose them. Elect a speaker to read the chunk with the new words.

2 mins

 

5)     Groups return to a class circle. Students chose a speaker who shares their group’s words and why they chose them.

                                                                     

 

Closing Discussion                                           1 min explanation of it.          

 

a.      Discussion open to whole class: What other suggestions were there and why did they not fit as well?

b.     Reinforce that there are many ways to express a good feeling, a bad feeling and a mixed feeling, some words fit better depending on the sentence. Does it look right? Does it sound right? Is it interesting?

 

1) Group #1 Experts

A long time ago in a simple cottage beside the deep, dark woods, there lived a pretty child called Red Riding Hood. Se was kind and considerate and everybody _________ her.

 

One afternoon Red Riding Hood’s mother called to her. “Granny isn’t feeling up to snuff today,” she said, “so I’ve baked her favorite custard as a little surprise. Be a good girl and take it to her, will you?” Red Riding Hood was ____________. She ____________ going to Granny’s--- even though it meant crossing the deep, dark woods.

 

When the custard had cooled, Red Riding Hood’s mother wrapped it up and put it in a basket. “Now whatever you do,” she said, “go straight to Granny’s, do not tarry, do not speak to any strangers.” “Yes, mama,” said Red Riding Hood.

 

Before long she was the deepest part of the woods. “Ooooh,” she said. “This is scary.”

 

2) Group #2 Experts

Suddenly a large wolf appeared. “Good afternoon, my dear,” he said. “Care to stop for a little chat?” “Oh, gracious me,” said Little Red Riding Hood. “Mama said not to speak to any strangers.”

 

But the wolf had such charming manners. “And where are you going, sweet thing?” he said. “I’m on my way to visit Granny, who lives in the pretty yellow house on the other side of the woods,” said Red Riding Hood. “She’s feeling ________, and I’m taking her a surprise.” You don’t say,” said the wolf. Just then he had a delightful idea. No reason why I can’t eat them bth,” he thought. “Allow me to escort you,” he said. “You never know what might be lurking about.” “You’re to kind,” said Red Riding Hood.

 

Beyond the forest they came to a patch of sunflowers. “Why not pick a few?” suggested the wolf. “Grannies ________ flowers, you know.” But while Red Riding Hood was picking a pretty bouquet, the clever wolf hurried on ahead to Granny’s house.

“Who is it?” called out Granny.

  

3) Group #3 Experts

It is I, your delicious----er--- darling granddaughter,” said the wolf in a high voice.

“The door is unlocked,” said Granny.

“Surprise!” cried the wolf.

Granny was __________ at having her reading interrupted.

“Get out of here, you horrid thing!” she cried.

 

But the wolf gobbled her right up. He didn’t even bother to chew.

 “Tasty,” he said, patting his belly,

“so tasty.”

Just then he heard footsteps on the garden path.

“Here comes desert!”

And losing no time, he put on Granny’s cap and glasses, jumped into bed, and pulled up the covers.

 

“Who is it?” he called out in his sweetest Granny voice.

It is I, your little granddaughter,” said Little Red Riding Hood.

“The door is unlocked,” said the wolf.

 

Red Riding Hood was __________ at seeing her grandmother so changed.

“Why Granny,” she said, “what big eyes you have.”

“The better to see you, my dear,” said the wolf.

“And Granny, what long arms you have.”

“The better to hug you, my dear,” said the wolf.

“And Granny, what big teeth you have.”

“THE BETTER TO EAT YOU, MY DEAR!” cried the wolf.

 

 Group #4 Experts

 

And he gobbled her right up.

“I’m so wicked,” he said. “So wicked.” But he really was enormously _______ with himself. And having enjoyed such a heavy meal, he was soon snoring away. A hunter passing by was alarmed by the frightful racket. “That doesn’t sound like Granny!” he said. And so the ________ hunter jumped in the window, killed the sleeping wolf and cut him open. Out jumped Granny and Red Riding Hood “We’re ever so grateful,” said Red Riding Hood.

“That wicked wolf won’t trouble you again,” said the hunter.

“It was so dark in there I couldn’t read a word,” said Granny. Red Riding Hood promised never, ever to speak to another stranger, charming manners or not.

And she never did.

 

 

 

GROUP FIVE

Angel:

Unit Topic:          3 Billy Goats Gruff (Readers’ Theatre)         Grade: 5

Big Idea: ­­­­­­­Readers’ Theatre

IRP Learning Outcomes:

Demonstrate pride and satisfaction in using language to create and express thoughts, ideas, and feelings in a variety of oral, written, and electronic form.
Create a variety of personal and informational communications, including written oral stories, poems, or lyrics, explanations, and descriptions.

Criteria for Assessment:

Student participation
Student Self assessment
Participation in performing for younger students (K-4)
Rubric

 

LESSON 1

Lesson Title:  Introduction to the assignment

Lesson Goals/ Outcomes (SWBAT):

-Student awareness of project

-Practice and participation of the skit

-Continue to build personal self esteem for speaking in front of a group of people

-Improvement on speaking voice (if needed)

-To increase their sense of awareness regarding the emotions connected to speaking in front of a large group and possibly build on empathy and sympathy (depending on how the student is feeling)

-Fluency

-Accuracy

-Articulate personal thoughts, goals, and persuasive arguments effectively

 

Hook:

Have written on board/overhead the following message:

“Effective immediately, we will no longer be having recess”

We expect student outrage, and the teacher will ask the students to take a few minutes and explain why they think we should still be having recess.  Then the teacher will pick (randomly) a small number of students to share their arguments with the class, attempting to persuade (teacher) me, to allow recess time to continue.

 

Access Prior Knowledge:

Goal of the hook:  To get the students to think about unfair situations, and encourage them to approach the situation by asking questions, and coming up with ideas to solve this problem.   Have students break into small groups, allow the students to share an experience (where they convinced their parent to change their mind about something) with their group
Ask students to recall if they have seen a readers’ theatre performance
Talk about past experience that the students have about watching TV shows or movies that relate to this topic
Ask the students if they have ever been in a play and ask if they’re aware of the differences between Readers’ Theatre and plays

 

Key Question:            What is Readers’ Theatre?

Lesson Hook:             It’s your time to read.

Introduction:         Today we’re going to learn and practice Readers’ Theatre

                   

                              -explaining what Readers’ Theatre is, and what our goal is

                              for this unit

 

Activities and Strategies: (which principles of learning are addressed?)

Begin by explaining what Readers’ Theatre is and what it will mean for our class
Explain how we are going to use Readers’ Theatre
Read the book “Three Billy Goats Gruff”
To begin, number off all students 1, 2, 3, 4, & 5
Hand out the 3 Billy Goats Gruff skit to each student
Tell them which character they will be reading for (ie: narrator, Troll, 1,2, or 3 Billy Goat Gruff)
Remind them not to highlight their roles as they will be switching characters
Ask them to put their names on the sheet 
Advise them that they will be collected at the end of the class
If a student/s wants to take a copy home, they can sign one out and return it the next day
Explain what their number means, and how to read a skit
We will start by reading through the skit/story together as a group
Each group who is representing a character will read collectively for their part
We will continue this process several times
In the beginning, I will not speak directly to reading with emotion, but as we progress, we will explain the need for this added dimension and will continue to practice and recite until all students are more comfortable with their lines.

Assessment:

Today’s lesson will be assessed by student participation in the group activity

Materials Resources:

-Have enough copies of the 3 Billy Goats Gruff skit for each person

-If possible, have some artifacts that represent a part of the story (grass, bridge, troll doll, goat etc)

 

Adaptations:

This lesson can be adapted for students who are not reading at the same level as the mass of the class by giving them the opportunity to be part of a group who is responsible for saying their parts collectively.  This way, they are not on the spot to read right away.  Some extra time can be given to these students from other areas of study if necessary – this is something that the child can work on at home if they wish.
They can be provided with a taped version of this story and they can take it home for practice

 

Extension Activities:

Have students come up with alternate endings
Write a short passage about the hidden meaning in this story
Illustrate the story
This can be done individually, and once the entire group is finished, then the students can pick their own small groups and choose one of the above to share with the rest of the class

 

Closing:

We will close this lesson by explaining what they can expect to happen the next time we meet.  The next lesson will include a repeat of today’s topic/method and can include shifting characters and trying to read through while reciting for a different character.  Then we can break into smaller groups of 4 and each person will be responsible for reading their part to the larger group.

~~~~~~~~~~~~~~~~~

3 Billy Goats Gruff

Source:  www.funpages forkids.com/billy

 

Narrator:

Once upon a time there were three Billy Goats called Gruff.  In the winter they lived in a barn in the valley.  When spring came they longed to travel up to the mountains to eat the lush sweet grass.  On their way to the mountains the Three Billy Goats Gruff had to cross a rushing river.  But there was only one bridge across it, made of wooden planks.   And underneath the bridge there lived a terrible, ugly, one-eyed troll.  Nobody was allowed to cross the bridge without the troll’s permission and nobody ever got permission.   He always ate them up.  The smallest Billy Goat Gruff was first to reach the bridge.   Trippity-trop, trippity-trop went his little hooves as he trotted over the wooden planks.  Ting-tang, ting-tang went the little bell round his neck.

 

Troll:

Who’s that trotting over my bridge? (Growled the troll from under the bridge).

 

Small Billy Goat Gruff:

Billy Goat Gruff (squeaked the smallest goat in his little voice).  I’m only going up to the mountain to eat the sweet spring grass.

 

Troll:

Oh no you’re not!  (Said the troll).  I’m going to eat you for breakfast!

 

Small Billy Goat Gruff:

Oh no, please Mr. Troll, (pleaded the goat).   I’m only the smallest Billy Goat Gruff.   I’m much too tiny for you to eat, and I wouldn’t taste very good.  Why don’t’ you wait for my brother, the second Billy Goat Gruff?  He’s much bigger than me and would be much more tasty.

 

Narrator:

The troll did not want to waste his time on a little goat if there was a bigger and better one to eat.

 

Troll:

All right, you can cross my bridge, (he grunted).  Go and get fatter on the mountain and I’ll eat you on your way back!

 

Narrator:

So the smallest Billy Goat Gruff skipped across to the other side.

The troll did not have to wait long for the second Billy Goat Gruff.

Clip-clop, clip-clop went his hooves as he clattered over the wooden planks

Ding-dong, ding-dong went the bell around his neck. 

 

Troll:

Who’s that clattering across my bridge? Screamed the troll.

 

Narrator:

Suddenly the Troll appeared from under the planks.

 

 

Medium Billy Goat Gruff:

Billy Goat Gruff (said the second goat in his middle-sized voice).  I’m going up to the mountain to eat the lovely spring grass.

 

Troll:

Oh no you’re not! Said the troll.  I’m going to eat you for breakfast.

 

 

Medium Billy Goat Gruff:

Oh, no please, I may be bigger than the first Billy Goat Gruff, but I’m much smaller than my brother, the third Billy Goat Gruff.  Why don’t you wait for him?  He would be much more of a mean than me. 

 

Narrator:

The Troll was getting very hungry, but he didn’t want to waste his appetite on a middle-sized goat if there was an even bigger one to come.

 

Troll:

All-right!  You can cross my bridge, (he rumbled).   Go and get fatter on the mountain and I’ll eat you on your way back!

 

Narrator:

So the middle sized Billy Goat Gruff scampered across to the other side.

 

The troll did not have to wait long for the third Billy Goat Gruff. 

Trop-tramp, tromp-tramp went his hooves as he stomped across the wooden planks.  Bong-bang, bong-bang went the big bell round his neck.

 

Troll:

Who’s that stomping over my bridge? (as he roared loudly and resting his chin on his hands)

 

Large Billy Goat Gruff:

Billy Goat Gruff said the third goat (in a deep voice)

I’m going up to the mountain to eat the lush spring grass.

 

Troll:

Oh no you’re not!  (as he clambered up onto the bridge)

I’m going to eat you for breakfast!

 

Large Billy Goat Gruff:

That’s what you think!

 

Narrator:

The Biggest Billy Goat Gruff lowered his horns, galloped along the bridge and butted the ugly troll.  Up, up, up went the troll into the air, then down, down, down into the rushing river below.

He disappeared below the swirling waters and was gone. 

 

Large Billy Goat Gruff:

So much for his breakfast!  Now, what about mine!

 

Narrator:

The biggest Billy Goat Gruff walked in triumph over the bridge to join his two brothers on the mountain pastures.  From then on everyone could cross the bridge whenever they liked- thanks to the Three Billy Goats Gruff.

 ~~~~~~~~

 

Sarah:

Reading Lesson Wind Up

 

Reading Strategies used in the lesson
Fluency
Important for gathering meaning in text
Helps students move past decoding and increases sight word vocabulary.
Improves students accuracy

Public speaking

Reading with expression

Listening skills

It is important for students to listen to each other in order to make sense of the text.
Students also have to listen for their parts to come up.

 

Reason for Choices:

Introduction:

We choose the hook of taking away something that the students really enjoy because it generates emotion and presents students with a problem that they have to solve. Students have to articulate their emotion feelings in a constructive way in order to convince the teacher that their point of view is correct. This type of skill is important to students because they will have many experiences in their academic and “real” lives where they feel something is unfair or unjust and rather then whining or giving up students who are versed in articulating their points of view stand a better chance of getting their way or at least reducing their frustration. Students specifically have to communicate non-orally in this situation – which may have lead to yelling. Instead students have to communicate in writing, which can be challenging when heated. The hook also addresses prior knowledge of the students in the art of persuasion, which is used in Billy Goats Gruff. All of the skills in the hook are laid out clearly in the PLO’s for grade 5.

 

Why readers theatre?

It is a tool that can be used to address so many issues and the students have fun! Students who have some practical experience verbalizing emotions even in made up situations are better equipped to do the same in their real lives. Also many reader’s theatre scripts present a problem or issue. This also re-enforces looking at different points of view and identifying and solving problems. It is easy adaptable and very multilevel. It can be a whole unit as we have planned, or it can be a reinforcement lesson in a unit. In my research on the topic I found readers theatre scripts in every single subject including math. As an extension activity students can also create their own readers theatre scripts or adapt existing book into a readers theatre.

 

How readers theatre is multilevel

There is a plethora of research to support that reader’s theatre is multilevel. An EBSCO search on the subject brings up thousands of articles. I will deal with some of the research in the theory section but before doing the research my group came up with many reasons why readers theatre is multilevel. It allows students who communicate better verbally to shine; I believe that these students rarely get graded or acknowledged on their gift with so much focus on writing. Reader’s theatre also offers a safe non-intimidating way for students who are shy to read orally. By having the scripts to practice with and a “character” to hide behind many shy students are able to come out of their shells. Reader’s theatre can be very silly at times especially when teaching students how to read with emotion and there are many warm up activities that accompany reader’s theatre that “loosen up” students who are initially reluctant. Often times the shy or reluctant reader is a struggling reader. Reader’s theatre offers these students a chance to improve their skills by increasing the speed and accuracy levels that they read at through fluency. Reader’s theatre by its nature requires repeated readings. It is less intimidating then plays because lines never have to be totally memorized and there are no stage positions/que’s that need to be learnt. The teacher can assign smaller roles or change challenging language for struggling readers initially. Students who spend time in learning assistance can take their scripts and practice there or they can bring scripts home to practice with siblings or an adult in the home. Taped versions of the scripts by students who excel or are finished early can be made for students who need more practice. Students can listen to the scripts in their own time and practice their individual parts.  By the time it is time to perform the script the student will have had the opportunity to read the text many times and become fluent in it, as well as reading it accurately. The performance aspect can help students with comprehension problems to visualize or understand the story better than reading it on their own. ESL student’s benefit in the same way as struggling reader would. Students who are already good readers can assist others in practicing their parts they can also be in charge of gathering minor props or accompanying music for the theatre. They can also work on improving their expression, or be given challenging parts within the script. If the classroom has children varying special needs these too can be easily adapted into the script, For example if there is a non-verbal student who communicated with an alternative communication system they could pre program it to repeat a frequent line in the play- in our play it could be ‘Tromp trap tromp trap”. A small part could be made up or they could assist in creating sound effects etc. I believe that reader’s theatre can be modified to give every student a meaningful role. It is truly inclusive and adaptable to all students.

 

Theory

Fluency

Fluency is a key part of students learning to be successful readers. Reader’s theatre offers students many opportunities for multiple readings for different purposes. It is a part of the lesson and therefore students do not feel like they are being ‘forced’ into reading the same text over and over. Due to the adaptable nature of reader’s theatre as mentioned above it also addresses students varying levels of fluency. Stocker Roser and Martinez recognized, “a reciprocal relationship between reading fluency and reading comprehension” therefore reading comprehension is another benefit of reader’s theatre (Worthy and Prater 2002).  Rasinski points out in his article on fluency, that children who read at slower rates are less interested in reading for pleasure and a 30 minute reading assignment may take hours, and leads to frustration for these students (2000). He also found that

 Through the repeated readings inherent in preparation for Readers Theatre, students made an average rate gain of 17 words per minute, about the gain that could be expected in an entire year (Rasinski, 1999), while students engaged in more traditional reading activities made less than half the gain the Readers Theatre students experienced.(2000)

 

Time is a precious commodity to teachers and these types of results speak to the effectiveness and usefulness of reader theatre in all classrooms. In my research I also found reader theatre scripts and lesson plans across the curriculum, this means that students can be in science while learning to improve their fluency. Judging from the amount of research that has been done on this topic and the mountain of evidence I feel pedagogically sound in recommending this strategy for all teachers.

Readers theatre is also suggested in the books on pages -

 

Teaching controversial issues and problem solving through reader theatre.

There are many academics that believe that problem solving and dealing with controversial issues is important (Mc Bee 1996). In regards to avoiding controversial issues in the early grades she had this to say,

“The paradox of this controversy-avoidance syndrome, it seems to me is the reality that controversy and conflict are everywhere in the lives of young children…To pretend that this is not so or to avoid dealing with it is to deny students the opportunity to work with relevant meaningful, high interest content – a recipe for boredom and lack of motivation.

There are many scripts that address controversial issues. I believe that readers thaeter creates an environment of semi-role play that allows students to fully explore issues and points of view.

 

Possible extension activities for the rest of the unit

·       Time students/groups on their first reading and challenge them to improve their time over the course of the unit

·       Write/adapt own readers theatre scripts

Tap out the rhythm of speech used. Look at when varying reading speeds are to important
Look for morals/lessons in scripts
Speaking using emotion in voice
Perform for each other, other classes or for an assembly. This could also be taken outside the school to an seniors home or a children’s hospital for a special performance
Discuss how characters feel in certain situations, open it up for a “what would you do if in the same situation”
Give students the first part of the script and have then write the conclusion
Use you imagination the possibilities are endless!

 

Assessment

There are many rubrics available on the Web that could help a teacher address the final performance. I would suggest using these as a skeleton and have the students fill in the rest. Below are the beginnings of a possible rubric for marking. Depending on what skills are being assed and how familiar students are with reader’s theatre this could change.

 

 

Exceeds expectations

Fully meets expectations

Minimally meets expectations

Does not yet meet expectations

Voice

Use of fluid speech and inflection.  Voice is audible to entire audience.

Student consensus fills this part in

Student consensus fills this part in

Student consensus fills this part in

Expression 

Uses expression to enhance the understanding of the audience. Maintains the interest of the audience.

Student consensus fills this part in

Student consensus fills this part in

Student consensus fills this part in

 

 

Plo’s Grade 5 that this lesson and extensions directly or indirectly addresses:

Personal planning

identify and apply the steps in a decision-making process

English Language arts

·       assume a variety of roles when interacting in groups

·       categorize roles and describe stereotypes portrayed by characters in various print and non-print works

·       listen to and express interest in the ideas of others

·       demonstrate an awareness of how to use language to develop and maintain friendships and relationships in school and in the community

·       demonstrate confidence in their abilities to communicate effectively in various classroom situations

·       describe how particular works or literary features evoke personal images, memories, and responses

·       select and shape information appropriately for specific audiences and purposes

·       demonstrate pride and satisfaction in using language to create and express thoughts, ideas, and feelings in a variety of oral, written, and electronic forms

·       create a variety of personal and informational communications, including written and oral stories, poems, or lyrics; explanations and descriptions; informal oral reports and dramatics; and brief factual reports

·       apply the basic rules and conventions of writing or speaking for the oral, visual, and written forms they select

·       write in a legible cursive script as required for their audiences and purposes

·       read, listen, and view for specific purposes

·       demonstrate a willingness to communicate with others to reach common goals within the classroom

·       demonstrate an awareness of how they can use language to display empathy and make connections with others

Drama

express ideas and emotions using verbal and non-verbal communication

Social Studies

identify and clarify a problem, issue, or inquiry

 

Although we did readers theatre in a grade five classroom I would asserts that it is a teaching tool that could be used fro the time students can read up to grade 12. I believe that the prescribed learning outcomes for all grades would support the use of reader’s theatre.

 

Articles (and Sources) on Readers Theatre

 

Speed Does Matter in Reading. Rasinski, Timothy V.; Reading Teacher, v54 n2 p146-51 Oct 2000 (EJ616138)

 

"I Thought About It All Night": Readers Theatre for Reading Fluency and Motivation. Worthy, Jo; Prater, Kathryn; Reading Teacher, v56 n3 p294-97 Nov 2002 (EJ658897)

 

Using Readers Theatre To Foster Fluency in Struggling Readers: A Twist on the Repeated Reading Strategy. Tyler, Brenda-Jean; Chard, David J.; Reading and Writing Quarterly: Overcoming Learning Difficulties, v16 n2 p163-68 Apr-Jun 2000 (EJ627744)

 

Teaching Comprehension and Exploring Multiple Literacies: Strategies from "The Reading Teacher." Rasinski, Timothy V., Ed.; Padak, Nancy D., Ed.; Church, Brenda Weible, Ed.; Fawcett, Gay, Ed.; Hendershot, Judith, Ed.; Henry, Justina M., Ed.; Moss, Barbara G., Ed.; Peck, Jacqueline K., Ed.; Pryor, Elizabeth, Ed.; Roskos, Kathleen A., Ed.; International Reading Association, Newark, DE., 2000 (ED447469) ** Book not Article*

 

"Don't Think for a Minute That I'm Getting Up There": Opportunities for Readers' Theater in a Tutorial for Children with Reading Problems. Rinehart, Steven D.; Reading Psychology, v20 n1 p71-89 Jan-Mar 1999 (EJ583499)

 

"I Never Thought I Could Be a Star": A Reader's Theatre Ticket to Fluency. Martinez, Miriam; Roser, Nancy L.; Strecker, Susan; Reading Teacher, v52 n4 p326-34 Dec-Jan 1998-1999 (EJ575088)

 

Readers Theatre and the Writing Workshop: Using Children's Literature to Prompt Student Writing. Stewart, Loretta T.; Reading Teacher, v51 n2 p174-75 Oct 1997 (EJ556797)

 

Websites on Readers Theatre

 

Aaron Shepard’s RT Page Scripts and Tips for Reader’s Theater (or Readers Theater or Reader’s Theatre or Readers Theatre or . . .

This is my favourite readers theatre page as the stories are from various cultural backgrounds they are funny and engaging and at a quick glance you can have a story for 6 – 20+ students!

http://www.aaronshep.com/rt/index.html#RTE

 

 

Reading Lady.com

Scripts available in Adobe or MS word.

http://cpanel.servdns.net/~readingl/Readers_Theater/Scripts/scripts.html

 

Readers Theatre Digest

Everything you need to get started. Great achieves with links to reputable reading journals. Journal is up to date. Check out the Links too!

http://www.readerstheatredigest.com