BIBLIOGRAPHY:

I. Primary Sources 


Pope, Alexander. The Dunciad in Four Books. Ed. Valerie Rumbold. New York: Longman, 1999. 


II. Secondary Sources 


Bakhtin, Mikhail. Rabelais and His World. Trans. Helene Iswolsky. Bloomington: Indiana UP, 1984. 

Barasch, Frances K. The Grotesque: A Study in Meanings. The Hague: Mouton, 1971.

Barros, Carolyn A. and Johanna M. Smith, eds. Life-Writings by British Women, 1660-1850: An Anthology. Boston: Northeastern UP, 2000. 

Butt, John. Pope's Poetical Manuscripts. London: British Academy, 1955. 

Deutsch, Helen. Resemblance & Disgrace: Alexander Pope and the Deformation of Culture. Cambridge, Mass.: Harvard UP, 1996.

Dixon, Peter, ed. Alexander Pope. London: G. Bell, 1972. 

Erskine-Hill, Howard. Pope: The Dunciad. London: Edward Arnold, 1972. 

Goreau, Angeline. Reconstructing Aphra: A Social Biography of Aphra Behn. New York: Dial Press, 1980.

Haywood, Eliza. The Injur'd Husband: or, The Mistaken Resentment and Lasselia: or, The Self-Abandon'd. Ed. Jerry C. Beasley. Lexington: UP of Kentucky, 1999.

Ingrassia, Catherine. Authorship, Commerce, and Gender in Early Eighteenth-Century England: A Culture of Paper Credit. Cambridge: Cambridge UP: 1998.

Johnson, Samuel. “Pope.” Works of Samuel Johnson. Talboys and Wheeler, 1825. 

Lock, F.P. Susanna Centlivre. Boston: Twayne Publishers, 1979.

Mack, Maynard. Alexander Pope: A Life. New York: W.W. Norton in association with Yale UP, 1985.

McElroy, Bernard. Fiction of the Modern Grotesque. Basingstoke: Macmillan, 1989. 

McGovern, Barbara. Anne Finch and Her Poetry: A Critical Biography. Basingstoke: Macmillan, 1989.

Russo, Mary. The Female Grotesque: Risk, Excess and Modernity. New York: Routledge, 1995.

Steele, Richard. The Tatler. Ed. Lewis Gibbs. London: Dent, 1953.

Thomson, Philip. The Grotesque. London: Methuen, 1972.

Williams, Aubrey L. Pope’s Dunciad: A Study of Its Meaning. Hamden, Conn.: Archon Books, 1968. 

Wimsatt, William Kurtz. The Portraits of Alexander Pope. New Haven: Yale UP, 1965.