* In all publications, co-authors are ordered based on contributions e.g. first author contributed more than the second co-author. |
| Chapters in Books |
| Schiphorst, T., (2012) Forward (invited), in Identity, Performance and Technology: Practices of empowerment, embodiment and technicity, Eds. Broadhurst, S. and Machon, J., Palgrave Macmillan, pp. xi-xvii. |
| Tzankova, V., & Schiphorst, T. (2011). Constructing Meaning: Verbalizing the Unspeakable in Turkish Political Cartoons, ed. Frank Bramlett, Palgrave MacMillan, pp. 5-20. |
Schiphorst, T., "Soft, softer, softly: whispering between the lines", Book Chapter, aRt+D: Research and Development in Art, V2_Publishing, NAi Publishers, V2 June 2005, Rotterdam. ISBN 90-5662-389-3.  |
| Schiphorst, T. (2002). Body Interface, navigation sense and state space, The Art of Programming, Sonic Acts, Dec 2002, Digital art music and education, Amsterdam Paradiso, pp. 48-55. |
| Schiphorst, T. (1992). The Choreography Machine: A Design Tool For Character and Human Movement, CyberArts: Exploring Art and Technology, Miller Freeman Inc., Book Division, San Francisco, CA, l992, pp 147-154. |
| Journal Publications |
| Schiphorst, T., & Calvert, T., (2013), Creative Collaboration: The evolution of software for dance,
Computational Culture, a journal of software studies, special issue on software practices in digital
performance, eds, Salazar, N., Fuller, M., ISSN 2047-2390, in press |
Giabbanelli, P., Deck, P., Andres, L., Schiphorst, T., Finegood, D., (2013), Supporting a Participant-Centric Management of Obesity via a Self-Improving Health Game, Lecture Notes in Computer Science Series, Volume 8025, 8 pages, in press |
| Levisohn A.M., Schiphorst, T. (2011) Embodied Engagement: Supporting Movement Awareness in Ubiquitous Computing Systems. Ubiquitous Learning: An International Journal. 97-111. |
| Tzankova, V. & Schiphorst, T. (2010). Visualization of Islamic Religious Symbolism on the Internet: A Conceptual Blending, Parsons Journal for Info. Mapping, Volume 2, Issue 4, online http://piim.newschool.edu/journal/issues/2010/04/ |
| Schiphorst, T., (2009). Body Matters: the Palpability of the Invisible Computer, Leonardo, Special Issue: Materials for Creativity, Eds. Elissa Giaccardi & Lynda Candy, LEONARDO, Vol. 42, No. 3, 2009, pp. 225¡©230 |
| Schiphorst, T., (2006) Affectionate Computing: Can We Fall in Love with a Machine? MultiMedia Impact, Ed. Frank Nack, IEEE Multimedia, January ¡© March 2006, pp. 20 ¡© 24 |
| Schiphorst, T., (2006) Breath, skin and clothing: Using wearable technologies as an Interface into ourselves, International Journal of Performance Arts and Digital Media, PADM 2 (2) Intellect 2006, pp. 171-186. |
| Cunningham, M., Vaughan D., Schiphorst, T., Carolyn, B., Kuhn, L., (2004) Four Key Discoveries: Merce Cunningham Dance Company at Fifty, Theater, Vol. 34, No 2, 2004, Yale School of Drama, pp 105-111. |
| Schiphorst, T. (1998) Le mouvement assiste par ordinateur: Merce Cunningham, Nouvelle De Danse, La Composition, No. 36|37, 1998, ContreDanse, Bruxelles, Belgigique |
| Schiphorst, T. (1997) Hacking the Future Body: public girls, cyborg girls, Catalogue Essay for Public Girls Exhibition, Curator Antonia Hirsch, artist Odette LeBlanc, Dec. 1997 |
| Schiphorst, T. (1997) Body Noise, Subtexts of Computers and Dance, Computer Graphics, Volume 31, Number 1, Feb., 1997, ACM Siggraph, pp 14 -15 |
| Schiphorst, T. (1997) Body Noise, Subtexts of Computers and Dance, reprinted in Writings on Dance, Volume 17, Dance on Screen, Summer 97/98, pp 70 -75 |
| Schiphorst, T. (1997). Le Cyborg Dansant, Corps 'extraordinaires', PUCK, La marionette et les autres arts, Images Virtuelles, Editions Institut International de la Marionette, Paris, France, No. 9, 1997, pp 90 - 97 |
| Schiphorst, T. (1997). Making Dances with a Computer, Choreography and Dance: an international journal, special issue: Merce Cunningham: Creative Elements in choreography and dance, edited by David Vaughan, Harwood Academic Publishers, Vol 4 part 3, 1997, pp. 79 - 98 /td>
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| Calvert, T., Welman, C., Gaudet, S., Schiphorst, T. & Lee, C. (1991) Composition of multiple figure sequences for dance and animation, Visual Computer, Vol 7, Springer-Verlag, pp 114-121 |
| Refereed Conference Proceedings |
| Schiphorst, T., Bradley, B., Studd, K., Carlson, K. (2013). Movement Archeologies: Digging for Meaning in New Landscapes of Movement Data. Conference on Corporeal Computing: A Performative Archeology of Digital Gesture, IAS (Institute of Advanced Studies), University of Surrey, UK, 2 ¡© 4 September 2013. 8 pages, in press |
| Subyen, P., Schiphorst, T., Pasquier, P. (2013). EMVIZ (flow): An Artistic Tool for Visualizing Movement Quality, Electronic Visualization and the Arts London 2013 (EVA2013 London), Monday 29th July - Wednesday 31st July 2013, full paper 8 pages, in press. |
| Schiphorst, T. (2013) self-evidence: a non-alienated view, ISEA 2013, 11th-13th June 2013 Sydney, Australia, Sydney University Press, submitted. |
| Chung, W., Ip, E., Schiphorst, T. (2013) Wo.Defy: Designing Wearable Technology in the Context of Historical Cultural Resistance Practices, ISEA 2013, 11th-13th June 2013 Sydney, Australia, Sydney University Press, submitted. |
| Corness, G., Schiphorst, T. (2013) Performing with a System's Intention: Embodied Cues in Performer-System Interaction, Creativity & Cognition 2013, 17th ¡© 20th June 2013 Sydney, Australia, New York: ACM Press, pp. 156-164. |
| Maranan, D., Schiphorst, T., Bartram, L., Hwang, H., (2013) Expressing Technological Metaphors in Dance Using Structural Illusion from Embodied Motion, Creativity & Cognition 2013, 17th ¡© 20th June 2013 Sydney, Australia, New York: ACM Press, pp. 165-174. |
| Carlson, K., Schiphorst, T., (2013) Defamiliarization and Paired Constraints: Designing for User's Creative Decision-Making, Creativity & Cognition 2013, 17th ¡© 20th June 2013 Sydney, Australia, New York: ACM Press, pp. 300-303. |
| Schiphorst, T., Sheppard, R., Loke, L. (2013) Beautiful Dance Moves: Designing Computational Models for Movement, Workshop, Creativity & Cognition 2013, 17th ¡© 20th June 2013 Sydney, Australia, New York: ACM Press, pp. 430-434. |
| Forghani, A., Neustaedter, C., Schiphorst, T., (2013). Investigating the Communication Patterns of Distance-Separated Grandparents and Grandchildren. CHI EA '13: CHI '13 Extended Abstracts on Human Factors in Computing Systems, Paris, France: ACM Press, pp. 67-72 |
| England, D., Fantauzzacoffin, J., Schiphorst, T., LaTulipe, C., Candy, L., (2013). Digital Art: Challenging Perspectives (invited SIG). CHI EA '13: CHI '13 Extended Abstracts on Human Factors in Computing Systems, Paris, France: ACM Press, pp. 2497-2500 |
| Schiphorst, T., Chung, W., Ip, E. (2013) Wo.Defy: Wearable Interaction Design Inspired by a Chinese 19th Century Suffragette Movement, TEI '13: Proceedings of the 7th International Conference on Tangible, Embedded and Embodied Interaction, Barcelona, Spain, ACM Press, pp. 319-322 |
| Fantauzzacoffin, J., Candy, L., Chenzira, A., Edmonds, E., England, D., Schiphorst, T., Tanaka, A., (2012). Articulating Lines of Research in Digital Arts, HCI, and Interaction (Invited SIG). CHI EA '12: CHI '12 Extended Abstracts on Human Factors in Computing Systems, Austin, Texas, USA: ACM Press, pp. 1177-1180 |
| Wilde, D., Schiphorst, T., Klooster, S., (2011). Move to Design | Design to Move: A Conversation About Designing for the Body. Forum: Lets Get Physical, Ed. Eva Hoernecker, interactions, Volume 18 Issue 4, July 2011, ACM Press, pp. 22-27 |
| Schiphorst, T. (2011). Self-Evidence: Applying Somatic Connoisseurship to Experience Design, CHI'11: Case Study CHI '11 Extended Abstracts on Human Factors in Computing Systems, Vancouver, BC, Canada: ACM Press, pp. 145-160 |
| Schiphorst, T. (2011). tendrils: Exploring the Poetics of Collective Touch in Wearable Art, TEI11: Proceedings of the 27th International Conference, Extended Abstracts on Human Factors in Computing Systems, TEI'11, January 22¡©26, 2011, Funchal, Portugal: ACM Press, pp. 397-398 |
| Corness, G., Carlson, K., Schiphorst, T. (2011) Audience Empathy: A Phenomenological Method for Mediated Performance' The 8th ACM Conference on Creativity and Cognition, ACM Press. pp. 127-136. Nominated for an Emma Award for Best Contribution to Creative Communication. |
| Carlson, K., Schiphorst, T., Shaw, C. (2011) ActionPlot: A Visualizing Tool for Contemporary Dance Analysis, In Proceedings of Computational Aesthetic 2011 Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging, Cae'11, Vancouver, BC, ACM Press, pp. 113-120. |
| Carlson, K., Schiphorst, T., Pasquier, P., (2011) Scuddle: Generating Movement Catalysts for Computer-Aided Choreography, The Second International Conference on Computational Creativity, (ICCCX), ACM Press, pp. 123-128. Best Paper Award from the Cognitive Science Society |
| Levisohn, A. (2011). Designing for Movement Experience. CHI'11: Proceedings of the 29th International Conference, Doctoral Consortium, extended abstracts on Human Factors in Computing Systems, Vancouver, BC, Canada, New York: ACM Press, pp. 1029-1032 |
| Subyen, P., Maranan, D., Schiphorst, T., Pasquier, P., & Bartram, L. (2011). EMVIZ: the poetics of movement quality visualization. Proceedings of the International Symposium on Computational Aesthetics in Graphics, Visualization, and Imaging, CAe '11, CAe 2011, Vancouver, British Columbia, Canada, Aug5 ¡© 7, 2011: ACM Press, pp. 121¡©128 |
| Ashenhurst, E., Schiphorst, T. (2011). Pixel Perfect: Performativity and Self Portraiture, ISEA 2011, Istanbul, Turkey, 8 pages. |
| Subyen, P., Maranan, D., Schiphorst, T. & Pasquier, P. (2010).
Mapping, Meaning and Motion: Designing Abstract Visualization of Movement Qualities, Digital Resources for the Humanities & Arts 2010: Sensual Technologies - Collaborative Practices of Interdisciplinarity, pp. 121-128 |
| Schiphorst, T., Motamedi, N., "Applying An Aesthetic Framework of Touch for Table Top Interaction", IEEE TableTop Interaction, Newport, Rhode Island, October 10-12, 2007. pp. 71-74. |
| Schiphorst, T., Seo, J., Jaffe, N. (2010). Exploring Touch and Breath in Networked Wearable Installation Design, MM10: Proceedings of the International Conference on Multimedia, extended abstracts on Human Factors in Computing Systems, MM'10, October 25¡©29, 2010, Firenze, Italy: ACM Press, pp. 1399-1400. |
| Carlson, K., Corness, G., Schiphorst, T., (2010) Plan, Action, Collaboration: Reflecting on an Interdisciplinary Collaborative Process, Proceedings from The Embodiment of Authority Conference, Sibelius Academy, Helsinki, Finland, September 10-12, 2010. 8 pages, online at http://www.siba.fi/web/embodimentofauthority/proceedings/carlson-corness-schiphorst |
| Ashenhurst, E. & Schiphorst, T. (2010). Scene(ic): performativity and visual narrative in amateur digital photography. In ACM SIGGRAPH ASIA 2010 Posters (SA '10). ACM, New York, NY, USA, Article 9, 1 page, DOI=10.1145/1900354.190036 |
| Schiphorst, T. (2009), soft(n): Towards a Somaesthetics of Touch, CHI EA '09: CHI '09 Extended Abstracts on Human Factors in Computing Systems CHI 2009, April 4 ¡© 9, 2009, Boston, MA, USA: ACM Press, pp. 2427-2438. |
| He, Y., Schiphorst, T., (2009). Designing Social Computing using Traditions of Symbolism, Personalization, and Gift Culture, CSE'09, International Conference on Computational Science and Engineering, IEEE, Volume 4, pp. 659-666 |
| He, Y., Schiphorst, T., (2009). Designing a Wearable Social Network. CHI EA '09: CHI '09 Extended Abstracts on Human Factors in Computing Systems, ACM Press, pp. 3353-3358 |
| Castellanos, C., Schiphorst, T., (2009). Body Daemon, C&C '09: Proceedings of the seventh ACM conference on Creativity and cognition, October 26¡©30, 2009, Berkeley, California, USA, ACM Press, pp. 423-424 |
| Schiphorst, T., Motamedi, N., (2007). Applying An Aesthetic Framework of Touch for Table Top Interaction, Horizontal Interactive Human-Computer Systems, TABLETOP '07. Second Annual IEEE International Workshop on IEEE TableTop Interaction, Newport, Rhode Island, October 10-12, 2007, IEEE, 10.1109/TABLETOP.2007.20, pp 71-74. |
| Nack,F., Schiphorst, T., Obrenovic, Z., KauwATjoe, M., de Bakker, S., Rosillio, A. P., Aroyo, L., (2007). Pillows as Adaptive Interfaces in Ambient Environments, HCM '07: Proceedings of the international workshop on Human-centered multimedia, September 28, 2007, Augsburg, Bavaria, Germany. ACM Press, pp. 3-12 |
| Schiphorst, T., ¡°Really, Really, Small: The Palpability of the Invisible¡±, CC07, Creativity and Cognition Conference, Washington, DC, June 13-15, 2007, pp. 298-301. |
| Schiphorst, T., Frank Nack, Michiel KauwATjoe, Simon de Bakker, Stock, Lora Aroyo, Angel Perez Rosillio, Hielke Schut , Norm Jaffe, ¡°Pillow Talk: Can We Afford Intimacy?¡±, TEI (2007), Tangible and Embedded Interfaces Conference, February 15-18th 2007, Baton Rouge, Louisianna, pp. 23-30. |
| Aroyo, L., Nack, F., Schiphorst,
T., Schut T., and KauwATjoe, M. ¡°Personalized
Ambient Media Experience: move.me Case Study¡±.Conference
on Intelligent User Interfaces (IUI) 2007, Hawaii, Jan. 28th -31,
2007, pp 298-301 |
| Schiphorst, T. (2005). Exhale: Breath Between Bodies, Emerging Technologies Electronic Art and Animation Catalogue, Art Gallery, Siggraph2005, ACM Press, Los Angeles, CA. pp. 62-63 |
| Schiphorst, T. (2005). exhale: (breath between bodies), Emerging Technologies Catalogue, Emerging Technologies, Siggraph2005, ACM Press, Los Angeles, CA. 1 page. |
| Schiphorst, T., Jaffe, N., Lovell, R., "Threads of Recognition: using
Touch as Input wIth Directionally Conductive Fabric:", altCHI, CHI
2005, CHI April 2005, Portland, Oregon |
| Schiphorst, T., Andersen, K., ¡°Between Bodies: using Experience Modeling to Create Gestural Protocols for Physiological Data Transfer¡±, altCHI, CHI 2004, CHI April 2004, Vienna |
| Wakkary, R., Schiphorst, T., Budd, J., ¡°Cross Dressing and Border Crossings: Exploring Experience Models Across Disciplines¡±, Extended Abstracts of ACM CHI 2004, April 2004, Vienna. Pp. 1709-1710 |
| Schiphorst, T., Kozel, S., ¡°pulp fashion
| wearable archi[ves]tectures¡±,? proceedings, V2- anarchiving? conference,
Rotterdam, July 2002, http://deaf.v2.nl/deaf/03/ 221-117-229-207-116-102-152-49-79-100-19-11-14-99-208-171.py
(online essay) |
| Schiphorst, T., Lovell, R., Jaffe, N., ¡°Using a Gestural Interface Toolkit to Interact with a Dynamic Virtual Space¡±, Extended Abstracts, ACMCHI 2002, April 2002, pp. 754-755. |
| Chen, T., Fels, S., Schiphorst, T., ¡°FlowField: Investigating the Semantics of Caress¡±, ACM SIGGRAPH 2002 conference abstracts and applications, Siggraph ¡¯02, P. 185. |
| Schiphorst, T., ¡°Intentional Grammars¡±, Cast01 // Living in Mixed Realities, Conf Proc, September 2001, http://netzspannung.org/cat/servlet/CatServlet?cmd=netzkollektor&subCommand=showEntry&lang=de&entryId=41301 |
| Schiphorst, T., Fels, S.S., ¡°Affect Space, Semantics of Caress¡±, Cast01 // Living in Mixed Realities, Conference Proceedings, September 2001, http://hct.ece.ubc.ca/publications/pdf/CAST01.pdf |
| Schiphorst, T., Siggraph Panel, Siggraph 2001, panel moderator and contributor in Designing Experience: collaborative spaces in art and design, with Ron Wakkary, Susan Kozel, Steve DiPaola, Alice Mansell and Thecla Schiphorst |
| Cyr, D. Trevor-Smith, H. Schiphorst, T. Toth, K. (2001) ¡°A Web-Enabled Case Study in Project Management¡±, International Business Education & Technology, Conference Proceedings. |
Schiphorst, T. "Le mouvement assiste par ordinateur: Merce Cunningham", Nouvelle De Danse, La Composition, No. 36|37 Periodique Semestrial, Automne - Hiver, 1998, ContreDanse, Bruxelles, Belgigique
 
|
| Schiphorst, T., Mah S., "The Electric Body Project", Siggraph'97 Visual Proceedings: The art and interdisciplinary programs of Siggraph ¡®97, pp 199 ? 200. |
| Schiphorst, T. "Bodymaps: Artifacts
of Touch", Electric Garden, Siggraph'97 Visual Proceedings:
The art and interdisciplinary programs of Siggraph ¡®97, pp 72-73. |
| Schiphorst, T. "The Virtual Body Project: motion capture and the gestural approach", Connecticut College Symposium on Arts & Technology: March 1995, pp. 34-37. |
| Schiphorst, T. Mah S. "The Virtual Body Project", ISEA '95, International Symposium for Electronic Arts, Conference Proceedings Montreal, pp, 62-65. |
| Schiphorst T. "immerce: a visual database", ISEA '95, International Symposium for Electronic Arts, Conference Proceedings, Montreal, pp. 36-40. |
| Schiphorst, T. Mah S. "StillDancing: interacting inside the dance", CHI '94, Interactive Experience Conference Proceedings, April 1994, pp 61-62. |
| Schiphorst, T., Crawford, J., Demers, L.P. "The Shadow Project: Exploratory Workshop in Performance and Technology", Connecticut College Symposium on Arts and Technology, Conference Proceedings, 1993, pp. 20-26. |
| Calvert, T., Welman, C., Schiphorst, T., et, al. "The Evolution of an Interface for Choreographers", CHI '93, Chi Proceedings, Amsterdam, 1993, pp. 115-122. |
| Schiphorst, T., Calvert., T., Lee. C., Welman, S., Gaudet, S., ¡°Tools for Interacting with the Creative Process of Composition¡±., Proceedings of SIGCHI: Empowering People, CHI ¡¯90, pp. 167-174. |
| |
| Exhibition Catalogues |
| Schiphorst, T., tendrils + exhale, Colorito: An Interactive Renaissance of Color, exhibited at ACM Multimedia 2010 Interactive Art Program in Firenze Italy at the at thePalazzo Medici-Riccardi from 25 October through 6 November, 2010 |
| Schiphorst, T., tendrils, CODE LIVE 2 Cultural Olympiad, in exhibition Catalogue of the Electromode in CODE
LIVE 2, Curated by Valerie LaMontagne, February 2010. |
| Schiphorst, T., exhale: breath between bodies, National Academy of Sciences, in exhibition Catalogue of the Speculative Data and the Creative Imaginary: shared visions between art and technology, Curated by Pamela Jennings, July 2007. |
| Schiphorst, T., exhale: (breath between bodies), in ACM Siggraph 2005 Emerging Technologies SIGGRAPH ¡®05, July 2005, Article No. 6. |
| Schiphorst, T., exhale: breath between bodies, ACM SIGGRAPH 2005, in Juried Artists: Electronic Art and Animation Catalog, SIGGRAPH '05, pp. 62-63. |
Schiphorst, T., Bodymaps: Artifacts of Touch, in exhibition Catalogue Body Mecanique. Published By: Wexner Center for the Arts ISBN: 1881390195 ISBN13: 9781881390190 Publication Date: 02/02/1999
          |
Schiphorst, T., Felt Histories,
exhibition Catalogue of the Felt Histories, Gaerlock Gardens,
Oakville Galleries, Oakville Ontario, February - April
2000, curated by Su Ditta
        
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Schiphorst, T., Felt Histories,
in exhibition Catalogue of the 7th New York Digital Salon,
SVA, School of Visual Arts, New York City.
    
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Schiphorst, T., Felt Histories,
in exhibition Catalogue of Nouveau Cinema, Nouveaux Medias,
Montreal, Quebec, Oct ¡®99. Curated by Alain Mongeau.
   
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Schiphorst, T., Bodymaps: Artifacts
of Touch, in exhibition Catalogue of Touche, Interaccess
Gallery, Toronto, Ontario, January 22nd to February 17th 1999. Curated
by Nina Czegledy
       
    
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| Schiphorst, T., Felt Histories,
in exhibition Catalogue of Thecla Schiphorst, Felt Histories, Artspeak
Gallery, Vancouver, Oct 23rd to Dec 5th, 1998, curated by Susan
Edelstein |
| Schiphorst, T., Bodymaps: Artifacts
of Touch, in exhibition Catalogue of Escaping Gravity,
Video positive Festival, FACT Open Eye Gallery, Liverpool,
England, April 11th to May 6th 1997 |
Schiphorst, T., Bodymaps: Artifacts
of Touch, in exhibition Catalogue of Interaction '97,
Toward the Expansion of Media Art, IAMAS, Gifu, Japan, March
to April, 1997. Curated by Itsuo Sakane.
        
   
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Schiphorst, T., Bodymaps: Artifacts
of Mortality, in exhibition Catalogue of Ars Electronica,
Memesis: The Future of Evolution, Prix Ars Electronica Exhibition,
Landesgalerie, Linz Austria, Sept 3rd to 22nd, 1996.
  
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Schiphorst, T., Bodymaps: Artifacts
of Mortality, in exhibition Catalogue of Digital Investigations,
Differential Space, Western Front Gallery, March 19th - April
26th 1996. Curated by Petra Watson
      
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| |
| Selected Reviews |
| HorizonZero: Digital Arts and Culture
in Canada, Issue 04: TOUCH, November 2002, ¡°Artifacts of Touch:
Thecla Schiphorst re-choreographs the relationship between technology
and the public body¡±, by Jeanne Randolph; http://www.horizonzero.ca/textsite/touch.php?is=4&file=10&tlang=0 |
| HorizonZero: Digital Arts and Culture
in Canada, Issue 04: TOUCH, November 2002, ¡°Bodymaps, Thecla Schiphorst¡±,
by Eric Raymond; http://www.horizonzero.ca/textsite/touch.php?is=4&file=9&tlang=0 |
MUSE, Canadian Museums Association,¡±On the Questions of Musium Practices and New Technologies: reading Walter Benjamin through the digital lens¡±, by Dot Tuer, XVIII/2
   
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BackFlash, Canadian Journal of Photo-based and Electronic Art Production, Vol 17.1, ¡°Felt Histories¡±, 1999
|
The Guardian, April 17, 1997, London England, "Beats Watching TV", R. Clark
|
Wired, October 1996 "LifeForm", pp 172 - 173, by Evantheia Schibsted
  
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The Independent, Film and Video Review, "Thecla Schiphorst, Multimedia Artist", by Margaret Gallagher, December 1996
|
Vancouver Sun, March 1996, "Caressing Electronic Bodymaps a contemplative experience", by Michael Scott
|
Canadian Theatre Review, "Interactive Media: Virtual Reality and the Actual Performer", Winter 1994, Steven Aitken
|
| Preview, Bodymaps, Mix Magazine, Issue 17, Summer 1996 |
| El Mundo Cultural, Spain, Ciber@rt, October 28 1996 |
| Mercado Laboral, Spain, Ciber@rt, October 6th, 1996 |
| PBS, Scientific American Frontiers, Walking After Midnight, The making of animation: Dec 4 1992 |
| BBC Interview: The Late Show,
with Merce Cunningham, aired August l992 |
| CBC Newsworld Interview: Ideas
On Camera, Dance and the Computer, Thecla Schiphorst interviewed
by Max Allen, aired January l992 |
CNN Interview: The World Today, Science and Technology Report, March l991 |
| TV Ontario, Art Effects: Choreographic
Innovation aired December l991 |
| CBC Newsworld Panel Interview: Computers and the Arts, November l991 |
| CBC Radio The Arts Report New York CBC, premier of Trackers, March l991 |
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