An
untimed print of the negative (no adjustments made
for colour balance, etc.) which is struck for editing
purposes only. For film
mixes, the work print may be used during the mix, in which case it must
be double spliced (joints taped on both sides of the film). For
mixes, film music recording, ADR sessions and occaisionally foley sessions,
streamers (lines which move horizontally
across the screen) may be drawn on the work print to indicate cues or punches
(light flashes from holes in the frame) made. |