Video |
Electronic
image capture system.
Used extensively in film post production. The various video formats handle audio in a myriad of ways. |
In general,
analogue systems record audio in two ways: (1) on linear audio tracks
and (2) as part of the video signal. Linear audio tracks are generally
poor quality because video tape travels at a relatively slow speed.
(The video head spins. This allows the tape the high frequency bandwidth
necessary for video.) Linear tracks may be recorded independently from
the video signal. Audio which is recorded as part of the video signal (often
referred to as HiFi - HiFi VHS, Hi8,, etc.) is of a much higher fidelity
though must be recorded at the same time as the video signal. Digital video
generally has excellent audio potential.
In addition to the aforementioned format issues, one of the key components to audio quality is the quality of all of the components in the audio chain. Connectors, manual or automatic level adjustments, microphone preamps, metering or lack thereof, all affect the signal quality. |
Format
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Audio Characteristics
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8 mm
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Linear analogue mono audio. Poor quality.
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Hi 8 mm
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Stereo audio recorded as part of the video signal - reasonable
quality though format degrades quickly with replaying. Professional
camcorders have reasonable mic preamps, good connectors, the ability to
record line level signals and occasionally sound meters.
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VHS (1/2")
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HiFi VHS uses the video to record audio (better).
Not to be confused with some older "Stereo" VHS units which had two linear
audio tracks (bad). There are usually one (mono) or two (stereo)
linear audio tracks which are poor quality due to the slow speed of the
tape. Before the advent of DAT machines low budget studios would
use HiFi VHS to master tracks. Some of the higher end machines have meters,
and adjustable inputs.
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Super VHS (1/2")
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See HiFi VHS. SUper VHS camcorders generally have good
connectors and microphone preamps, etc.
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Professional low end analogue format. Still used in post production. |
Various flavours. Older formats have two linear audio
tracks as well as one "control track" which may be used to control longitudinal
time code (an audio signal) for editing and synchronization. New
formats have improved audio capabilities.
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Camcorders have professional quality mic preamps (xlr
balanced inputs, phantom power, etc.) and other high end features. Format
has digital quality audio capability.
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digital
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A variety of ever-evolving formats. "Low end" digital
camcorders may have excellent audio recording and playback potential though
it can be hampered by poor connectors (typically stereo mini phone), auto-level
adjusting and poor microphone preamps.
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