Episode 209: Choreographing: Motion, Material, and Parallel Living — with NiNi Dongnier

About Our Guest

NiNi Dongnier

Rooted in the northern trans-border nomadic philosophies and art, her art is continuous exploration of the metaphysics of body, motion, and its dynamic relation to the compound spatiotemporal, ecological, and technological contexts that shaping the moments. The process conveys her sincere perception in embodied memory, migration, ritual, landscape, and the structure and cultural entanglement behind them. She immerses herself in traditional art on one hand, and on the other hand, embraces the dissonance from various forms and philosophies, which is internalized into an independent perspective of art making. She is particularly good at finding connections and shared nature among seemingly opposite things, challenging dualistic thinking. 

She holds an MFA focus on Choreography and Media Art from New York University, having previously graduated Summa Cum Laude from Beijing Dance Academy with a bachelor’s and a master’s degrees in Chinese Ethnic and Folk Dance & Ethnography, also studied Contemporary Dance at SUNY Purchase College. She is the founder of Field Motion, and co-founder of New York based interdisciplinary artist collective NUUM.