Introduction to acoustics, psychoacoustics, sound synthesis, audio sampling and signal processing, and sound production in general as relating to music, film sound, radio, new media, art installations and live performance. Students with credit for CA 184 may not take this course for further credit. Quantitative.

Introduces the many ways artists have employed moving images across artistic disciplines. By the completion of the course students should have a good sense of both the historical innovations and traditions in moving-image arts as well as the use of moving images in the contemporary art scene.

An introduction to the techniques of artistic composition as experienced in a collaborative interdisciplinary studio environment. The emphasis is on the creation, analysis and critique of new compositions created in collaborative groups by students in dance, music, theatre, film/video and visual art. Prerequisite: One of CA 122, 130, 145, 150, 160, 170.

Introduces students to the basic components of filmmaking through lectures, film screenings and creative projects in the various media that combine to form cinema. A laboratory fee is required. Students should be advised that course activities may require additional costs. Prerequisite: Prior approval through formal application. Students who have completed CA 132, 133, 134 or 230 may not take this course for further credit.

An introductory course in film production, emphasizing creative use of the medium. Each student is expected to conceive, direct and edit a short film, as well as participate in the making of class exercises and other students' films. A laboratory fee is required. Students should be advised that film production will probably incur significant costs in addition to lab fees. Prerequisite: CA 130 and prior approval.

This course will examine the early development of cinema from 1890 until about 1945, with particular emphasis on the fundamental principles of film as an art form. May be of particular interest to students in other departments. Breadth-Humanities.

This course will examine selected developments in cinema from 1945 to the present, with attention to various styles of artistic expression in film. May be of particular interest to students in other departments. Breadth-Humanities.

The first of two courses (CA 231 is the second) which form an intensive study of the craft of filmmaking, with an emphasis on production planning, creative development and the shooting and editing of short films. In-class exercises and film screenings will lead to the production of several original films. Each student will be expected to play major creative and technical roles in these productions. A laboratory fee is required. Film production may require personal funding in addition to the lab fees. Prerequisite: CA 131, and CA 136 or 137, and prior approval. Corequisite: CA 233. Students who have taken CA 330 for credit may not complete this course for further credit.

This course continues the work begun in CA 230. Students will acquire proficiency in film technique through lab exercises, readings and film screenings. As well, all students will participate in the completion of short original films which were begun in CA 230. Emphasis is placed on the development of means for creative expression supported by technical skills. Laboratory fee required. Students should be advised that film production will probably incur significant costs in addition to lab fees. Prerequisite: CA 230 and CA 233.

Covers the technical aspects of basic film production skills: camera, lighting, sound, editing, lab processes. Laboratory fee required. Prerequisite: CA 131 and prior approval. Corequisite: CA 230.

This course will cover a specific topic within the field of cinema studies not covered in depth in regularly scheduled courses. This course can be repeated once for credit if the topic is different. Prerequisite: One of CA 135, 136, 137, 186, 235, 236, 316 (or 337), 318 (or 335), 416 (or 436), or 30 units. Students with credit for CA 237 under the same topic may not take this course for further credit. Breadth-Humanities.

A survey of the key works and ideas that have informed contemporary moving image art practice nationally and internationally. Beginning with antecedents in painting and photography, the course will move forward from the early European avant-garde to the lyrical and structural works of the seventies, the issue-based work of the eighties, and finally the gallery-based practices of the present day. Intended for all students with an interest in the moving image as an art form. Prerequisite: One of CA 117 (or 167), 118 (or 168), 135, 136 or 137 or 30 units.

Examines the achievements of dramatic, documentary and experimental filmmaking in Canada from the earliest days until the present. Special attention will be paid to the cinemas of Quebec and western Canada, and to the cultural, political and theoretical traditions that have shaped contemporary cinema in Canada. May be of particular interest to students in other departments. Prerequisite: 3 units in film or cinema studies (CA 135, 136, 186, 235, 216 (or 237), 316 (or 337), 318 (or 335)) or 30 units. Breadth-Humanities.

Through lectures, demonstrations and studio work, students will be introduced to several aspects of location sound recording and audio post production for film and video. Topics will include synchronization systems and techniques, editing, music scoring, mixing and both analog and digital sound technology. Prerequisite: CA 131.

This course introduces the methodologies of writing for the screen in various styles, including dramatic, documentary and experimental forms, with an emphasis on structure and the creative expression of visual ideas. Students will perform a variety of writing assignments and each will be expected to complete one or more short original scripts. Prerequisite: One of CA 136, 137 or 253 and prior approval. Students with credit for CA 238 or 332 may not take this course for further credit. Writing.

An intermediate course in critical studies in cinema addressing a variety of topics. This course can be repeated once for credit if the topic is different. Students with credit for CA 337 may take this course for further credit if the topic is different. Prerequisite: Nine units in CA courses including CA 136 or 137.

This course is concerned with the systematic understanding of the general phenomenon called Cinema rather than with the properties or techniques of individual films. Various theoretical positions will be assessed and compared in terms of cinematic practice and its ideological functions. May be of particular interest to students in other departments. Prerequisite: Six units from among CA 136, 137, 216 (or 237), 236. Recommended: CA 210W (or 210). Students with credit for CA 234 or CA 335 may not take this course for further credit.

Features intensive study and analysis of selected topics in film theory, history, criticism and aesthetics. Examples include: work of specific directors or periods; theories of narrativity; particular aspects of national cinemas, etc. This course can be repeated once for credit if the topic is different. Students with credit for CA 436 may take this course for further credit if the topic is different. Prerequisite: CA 316 (or 337) or CA 318 (or 335).

Facilitates an in-depth understanding of the organizational aspects of film production, with emphasis on pre-production planning. The class will study methods of proposal writing, pre-production and production, developing production packages for short film and video projects. This course is strongly recommended for all students intending to take CA 430. Prerequisite: CA 231 or prior approval.

This course will cover a specific topic within the field of film and video production not covered in depth in regularly scheduled courses, such as optical printing techniques, film and video editing, experimental film and video production, or documentary film and video production. Students may repeat this course for further credit under a different topic. Prerequisite: CA 231 and prior approval.

This course will present advanced theory and techniques for writing dramatic, experimental and documentary film and video scripts. Additional topics covered include script analysis, production breakdown, and the writing of treatments and proposals. Prerequisite: One of CA 238 or 353 or 457 and prior approval. Strongly recommended for all students developing projects for production in CA 430. Writing.

This course acquaints intermediate level students with techniques of dramatic film performance. Students will be expected to perform as both actors and directors on scene work in class. Topics covered include auditioning, script analysis, role preparation, rehearsal, blocking for the camera, and directing techniques. This course is not a duplicate of CA 339 Selected Topics in Film. Prerequisite: CA 231 or CA 251 with prior approval.

This course examines the role of music in the viewer's experience of moving pictures. Beginning with the early 1900s, the lectures will introduce important composers, directors, films, genres and historical periods. Specific films and other works will be analyzed. Prerequisite: 60 units. Students who have taken this course previously as special topics may not take it again for further credit.

This course includes a series of technical workshops, screenings and seminars along with the completion of creative student projects. A laboratory fee is required. Project costs may require personal funding over and above the lab fee. Prerequisite: CA 231 or approval of instructor.

Students are encouraged to challenge conventional notions of digital media and to explore the creative possibilities associated with contemporary media applications. This project-based course includes a series of technical workshops, screenings and group seminars. Students will initiate and complete a project of their own choosing; collaborations are encouraged. A laboratory fee is required. Students should be advised that project costs may require personal funding over and above the lab fee. Prerequisite: CA 390 or approval of instructor.

The first half of a two term project in advanced film and/or video production. Students are expected to participate in the realization of one or more projects during the two terms. Students seeking entry into this course are required to present a completed script (for a drama) or detailed proposal (for a documentary or experimental film) prior to enrolment. The exact nature of each student's participation will be determined in consultation with the instructor. This course is open only to approved film majors. Students should be advised that film production will probably incur significant financial costs in addition to required lab fees. Prerequisite: CA 149, 186, 231, 285 and 10 units in film or cinema studies (CA 135, 136, 137, 186, 235, 236, 216 (or 237), 318 (or 335), 316 (or 337), 416 (or 436)) plus prior approval.

This course is intended for completion of film and video projects begun in CA 430. Particular emphasis will be given to advanced film craft in the post-production phase. The exact nature of each student's participation will be determined in consultation with the instructor. A laboratory fee is required. Students should be advised that film production will probably incur significant costs in addition to lab fees. Prerequisite: CA 430.

Investigates a selected thematic topic in art and performance studies such as: postcolonial theory and the arts; perception and embodiment; art activism and resistance; or urban art and culture. This course can be repeated twice for credit if the topic is different. Prerequisite: 45 units.

Investigates a selected topic in the history of art, performance and cinema. This course can be repeated twice for credit if the topic is different. Prerequisite: CA 117 (or 167), 186, and 210W (or 210).

An in-depth investigation of a selected topic in the history of art, performance and cinema. This course can be repeated four times for credit if the topic is different. Prerequisite: CA 117 (or 167), 186, 210W (or 210) and 45 units.