Hildegard Westerkamp Examples
Into The Labyrinth (2000)
Stone Chipping (Jodhpur Fort, Rajasthan)
track 1. Original recording
track 2. Equalized version (lows attenuated, highs amplified)
track 3. edited version of track 2, pitch shifted down -8 and equalized at 4kHz
track 4. previous track shifted up +12 (1 oct)
track 5. pitch shifted 2 oct
track 6. pitch shifted 3 octtrack 7. pitch shifted 4 oct
track 8. last 3 strikes of track 3 shifted down -12 (note resonance on 2nd strike)
track 9. pitch shifted down 2 oct, first 2 strikes
track 10. pitch shifted down 3 oct, note 2nd bounce
track 11. resonant strike alone, transposed +2
track 12. other pitch shifts of track 11 (-1), mixed into two-tone chords in the piece
track 13. (-10)
track 14. (-12)track 15. (-4)
track 16. (-6)
track 17. Mix as it appears at the start of the piece
Bicycle Bell (Delhi)
track 18. Original recording
track 19. equalized
track 20. pitch shifted up +3
track 21. pitch shifted up +7track 22. pitch shifted up +10track 23. pitch shifted up +12track 24. pitch shifted up +3+12track 25. stereo mix of various pitches
track 26. track 25 mix, pitch shifted down -12track 27. pitch shifted down -2 oct
track 28. pitch shifted down -3 octtrack 29. pitch shifted down -4 oct
track 30. bell stretched and pitch shifted down
track 31. pitch shifted down - 2 octtrack 32. pitch shifted down - 4 octtrack 33. pitch shifted down - 6 oct -1 (used in piece)track 34. pitch shifted down - 6 oct (used in piece)
"Singing" crickets (Palolem, Goa)
track 35. Original recording
track 36. mix of -1 to -2 octaves with reverbtrack 37. mix of -3 to -5 octaves with reverb
track 38. Single cricket 1
track 39. mix of -1 to -3 octaves with reverb
track 40. mix of -2 to -3 octaves with reverbtrack 41. mix of -4 to -5 octaves -9 with reverb
track 42. Single cricket 2
track 43. mix of -1 to -3 octaves with reverbtrack 44. mix of -4 to -5 octaves -5 -11 with reverb
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