Advertising Models

Tony Schwartz: Resonance Model of Communication (from The Responsive Chord (1973))
Meaning is evoked by resonance with what is already stored within the listener

BUT the stimulus must be encoded in the same way as the stored information is encoded.

"The background listener, or the passive viewer, has a sympathetic relation to his electronic environment. Further he has a lifetime of experiences stored within him. A commercial can provide the stimuli to regenerate those experiences, bring them into the foreground, and associate them with a product. This form of learning is harder to reject since there is no explicit message bombarding the listener. Also, the viewer or listener is more likely to retain the effects of the commercial since he does not have to remember anything. If the commercial is successful, it builds an association between the product and meaningful experiences in real life that is permanently stored and available for recall in purchasing situations." (p. 76-77)

 

Barry Truax: Mediation Model

SOUND
PRODUCT <-------> IMAGE

Bill Leiss: Multiple Mediation Model

 

Dallas Smythe: Production of Consumption

The "product" of advertising is the audience; advertising produces the consumer

 

David Huron: Uses of Music in Advertising

entertainment (engaging attention)
structure and continuity
memorability (
orality)
lyrical language
targeting
authority establishment

From the ad agencies:

"Power Copy Words"

How to

Startling

Suddenly

Miracle

Announcing

Magic

Now

Offer

Introducing

Quick

It's here

Easy

Important_development

Wanted

Sensational

Challenge

Remarkable

The truth about

Revolutionary

Compare

Bargain

Last chance

"Persuasive Words"

You

Easy

Money

Safety

Save

Love

New discovery

Results

Proven

Health

Guarantee

Award Winning Commercials (from Felsenthal et al, 1971)

"more action words, ... shorter words and shorter sentences, fewer uncommon words, fewer abstract words, more personal and human interest words, and were written in a more readable manner ... suspense factor ... non repetition factor"