Free Sample Gallery

In "...Since the End of History," Elisa Harkins presents a series of large-scale drawings that transport viewers to landscapes at once strange and sublime. Harkins’ meticulous attention to detail brings to life vast expanses filled with organic forms that defy convention, merging the recognizable with the surreal in ways that push the boundaries of the natural world. Each work is an invitation to explore beyond what is easily known, capturing a sense of wonder and unease as one traverses intricate terrains that exist outside the familiar.

The layered compositions evoke shifting emotional states—both tranquil and disorienting—offering space for contemplation on the vastness of the unknown and the limitations of perception. Harkins’ imaginative topographies are not just reflections of uncharted landscapes but an exploration of the ways we relate to, navigate, and ultimately understand our environments.

In "No Show," Danny Wolfers, Ellen Fraatz, and Chris Jeffs explore themes of presence, perception, and the interplay of expectation within the art experience. Wolfers’ approach navigates the space between irony and gravitas, drawing viewers into a subtle dialogue where grandeur is undercut by the ordinary. Fraatz reimagines the aesthetics of opulence, invoking visions of baroque splendor while allowing traces of the grotesque to rupture these ornate ideals.

Jeffs' stark visual commentary challenges viewers with its raw reduction, asking them to confront the elemental nature of form and context without distraction. Together, the works reveal a layered exploration of the absence and presence of meaning, the construction of value, and the silent tension that emerges when expectations are subverted. "No Show" invites contemplation of what is seen and unseen, and the boundaries that define the act of viewing itself.

In "What we do in the light," Christian Fennesz presents a collection of surreal sketches that challenge the boundaries between the familiar and the monstrous. Through his uncanny visual language, Fennesz transforms the recognizable into something deeply unsettling, inviting viewers to confront the fluidity of form and the strange beauty found in transformation. Each piece in the exhibition becomes an exploration of the mutable nature of identity, where human figures are contorted and reimagined, their essence both present and obscured.

The grotesque merges with the ordinary, creating a space where the boundaries of the self are malleable, and where beauty is found not in resolution but in perpetual flux. Fennesz’s work invites the audience to step into a shifting landscape where the strange becomes intimate, and the seemingly monstrous reveals itself as a reflection of the human condition.

"You'r Nut Invited" features Chris Jeffs' latest series, where the artist employs a stark aesthetic to confront viewers with the immediacy of his stripped-back forms. Jeffs’ small-scale works challenge the conventions of artistic intent, presenting a distilled visual language that demands closer examination. Through ironically crude gestures, each drawing acts as a quiet but potent statement—an incisive commentary on the boundaries of expression and the limits of representation.

Jeffs’ deliberate reduction of detail asks the viewer to grapple with what remains when complexity is stripped away, highlighting the raw tensions and unexpected depth found in simplicity. The works are presented without embellishment, embracing their elemental nature while provoking a subtle exploration of meaning, presence, and the unspoken narratives embedded within the everyday. "You'r Nut Invited" is an invitation to engage with art that resists excess and speaks through the power of its restraint.

In "Whose cat's are these??," Danny Wolfers navigates the interplay between the mundane and the monumental, transforming the intimate into something grandiose. Through a series of deceptively simple works, Wolfers imbues the domestic sphere with an air of elevated significance, allowing the ordinary to transcend its context. Each piece delicately balances irony and earnestness, creating a narrative where humble forms are treated with reverence, inviting viewers to reconsider notions of value and grandeur.

Wolfers’ work is a study in contrasts, where naive gestures are steeped in complexity, and humor subtly masks deeper reflections on the nature of artistic importance. The exhibition prompts an exploration of the boundaries between the everyday and the extraordinary, asking what it means to elevate the familiar and how value is ascribed in the art world. "The Grand Domestic" draws viewers into a quietly subversive conversation about art, meaning, and the beauty of the overlooked.